I see players all the time that look like they are having no problem whatsoever playing pretty difficult stuff, finger style. Is this just an illusion or are they that good?
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Why does finger style look so easy?
- Thread starter Skel
- Start date
Why do some guys make playing with a pick look so easy? I've played bass with my fingers ever since I started playing. I have a very hard time playing with a pick and anything difficult that I play, I play with fingers.
So it must be that the guys who make finger style look easy have been playing for 15+ years, and don't know any different. It *is* easy for them. I can play with a pick with no effort at all....it's easy. But I've been playing with a pick forever. I've practiced, practiced, practiced finger style and I must be thinking that 1 or 2 years is enough when it isn't. Or maybe I just don't have natural talent finger style.
+1
At least with fingers you can damp, play 2 notes and when I panic, slap/pop an octave.- looks cool, fill a hole - means nothing
I mean to start learning to use a pick sometime - honest.
At least with fingers you can damp, play 2 notes and when I panic, slap/pop an octave.- looks cool, fill a hole - means nothing
I mean to start learning to use a pick sometime - honest.
After many years you will recognize that playing fast and difficult things (pick or fingers) requires more relaxation than tension. So I suppose when someone is playing with relaxed fingers, it looks like it is easy. Also, their muscles are trained and do things automatically.
My fingers don't think, they just do. It's just years of practice that comes as second nature. It really IS that easy with enough practice.
I've heard all these debates about whether guitar or bass is easier. Trust me, a really good finger style bassist is absolutely no less talented than the best guitar player. I'll go to my grave not budging on that one.
Skel, I played with a pick for 30 years or so. In 2003,
I decided finally I was going to master finger style, and
so far, have gotten reasonably proficient at it.
I spoke to few bass teachers, and all kind of said the same
thing in the vein of 'Don't worry, your right hand will follow
along'.
I started looking around for some real tools to help me
with right hand work, to take it to the next level.
And I found something I want to share with you.
I get a catalog from a company called Homespun Tapes in
Woodstock NY, run by Happy and Artie Traum. Among the
DVD's in there are a few for fingerstyle acoustic players.
EUREKA! The lightbulb went off, I called up and explained
my interest to the young lady there who was a guitarist
and she hooked me up with 'Essential Evercises for the
Fingerstyle Guitar' by Peter Huttlinger. Not only is Peter
a National Fingerstyle champion and a Nashville go to pro,
but he is an excellent teacher.
The first section will give you enough right hand work in
5 minutes to fill 6 months. The exercises are as he says,
'not optional, but absolutely necessary to develop good right
hand technique'. The best part is that in translates very
well from guitar to bass. And given that there is a huge gap
in what is available in the market for intermediate players
who are honing their skills, it meets that need rather well.
The second session drills arpeggiation in conjuction
with the fingerstyle patterns. I found that quite useful.
He has interesting discussions on hand and arm relaxation
and performance notes.
You can find it for between 27 and 30 bucks on the internet,
and it is worth every penny invested 10 times over.
Link Removed
Link Removed
I decided finally I was going to master finger style, and
so far, have gotten reasonably proficient at it.
I spoke to few bass teachers, and all kind of said the same
thing in the vein of 'Don't worry, your right hand will follow
along'.
I started looking around for some real tools to help me
with right hand work, to take it to the next level.
And I found something I want to share with you.
I get a catalog from a company called Homespun Tapes in
Woodstock NY, run by Happy and Artie Traum. Among the
DVD's in there are a few for fingerstyle acoustic players.
EUREKA! The lightbulb went off, I called up and explained
my interest to the young lady there who was a guitarist
and she hooked me up with 'Essential Evercises for the
Fingerstyle Guitar' by Peter Huttlinger. Not only is Peter
a National Fingerstyle champion and a Nashville go to pro,
but he is an excellent teacher.
The first section will give you enough right hand work in
5 minutes to fill 6 months. The exercises are as he says,
'not optional, but absolutely necessary to develop good right
hand technique'. The best part is that in translates very
well from guitar to bass. And given that there is a huge gap
in what is available in the market for intermediate players
who are honing their skills, it meets that need rather well.
The second session drills arpeggiation in conjuction
with the fingerstyle patterns. I found that quite useful.
He has interesting discussions on hand and arm relaxation
and performance notes.
You can find it for between 27 and 30 bucks on the internet,
and it is worth every penny invested 10 times over.
Link Removed
Link Removed
This past Friday, I got a cramp in my plucking hand forearm while we were playing Paranoid, which caused my entire hand to collapse into a fist. The best I could do to finish the song was, to hold my index finger straight & use it like a pick. I was laughing & freaking out at the same time... A 15 second stretch & life was golden.
But, yea, back on topic... if you work at it, it IS easy... like Tim said, they just do...
But, yea, back on topic... if you work at it, it IS easy... like Tim said, they just do...
I guess it looks easy because you dont have to move the overall location of your wrist as much/as obviously when you are changing strings with a pick.
Depends who's playing! Some people look like they are dying.
Depends who's playing! Some people look like they are dying.
I agree with what you said above. But it sounds like you still give finger style players more credit than pick (bass) players. Maybe I'm wrong.
I think it's a common misconception that finger style bassists are somehow better bass players. I am so glad that this misconception is out there.
Some of my friends and band mates give me more credit than I deserve as a bassist just because I play with my fingers. I hear it all the time, when people are handing out compliments, "you play with your fingers" seems to always come up before "you have good time" or any of the other nice things people might say.The truth is - When I started playing bass (just 7 years ago) I had no experience with guitar or any stringed instrument for that matter. Playing with a pick was no easier than playing with my fingers. I got a beginning method book, which recommended and taught finger style, and started doing the right hand exercises. Out of all the things that I've had to learn and work hard on, my right hand finger style technique accounts for about 0.001% of the effort I have put into learning bass. I never think about my right hand and it completely takes care of itself.
But, if people want to assume that I'm somehow a more learned bassist because I play with my fingers, even though I know that I'm really taking the easy way out, who am I to correct them?
I've heard great bass with fingers and with a pick and I don't think the finger style bassist is necessarly better...it's just more difficult to play what they're playing with fingers than it is with a pick. To me anyway. That's why I *do* instantly respect a fingerstyle bassist more than a picker, and I'm probaby wrong on this, but they are doing something I couldn't do.
My take on it is that it is all tools in the tool box.
I did have to stop picking to concentrate on developing
my right hand. If the song needs a pick, I'll use it.
It is all artistic style, and their is no right or wrong way.
And I often admire other bassists for their mastery of
different techniques. I can't do the 'Hook' and make it
sound like Jamerson with that little rake in 'Heard it through
the Grapevine'. I can't slap like Marcus Miller. I can't tap like
Wooten, and I can't alternate 3 fingers into 4/4 like Billy
Sheehan.
I better stop, I am getting depressed now ...
I did have to stop picking to concentrate on developing
my right hand. If the song needs a pick, I'll use it.
It is all artistic style, and their is no right or wrong way.
And I often admire other bassists for their mastery of
different techniques. I can't do the 'Hook' and make it
sound like Jamerson with that little rake in 'Heard it through
the Grapevine'. I can't slap like Marcus Miller. I can't tap like
Wooten, and I can't alternate 3 fingers into 4/4 like Billy
Sheehan.
I better stop, I am getting depressed now ...
