the bass to steinway comparison doesn't work.. all those parts are necessary to make music. what you are describing is not.
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And, yes, I would definitely think it's worthwhile to design something for repairability.
"That horse has left the barn."Not to be too much of a "conspiracy" nut,
While that is a laughable busine$$ model, I also find it a particularly offensive characterization of a small group of highly-skilled, dedicated, (and vanishing), craftsmen & women.but I think most are still in the business of price gouging touring bassists while they can.
In my experience, most bassists and luthiers are pretty proletarian about our instruments, if I may use that word as a compliment. Of course we love the beauty and craftsmanship of good basses. But most of us only own one bass, and our instruments get banged around a lot because of their size and our interest in just getting out and playing. And a lot of the "owners" of basses are parents of students who are walking a tightrope trying to support their kids' interest in music on a working class budget.No offense to anyone. But IMO I see it as part of the historically high end status of playing an upright to begin with. It's like first comes a bolt on neck, then before you know it there goes the neighborhood. But change will happen eventually, for easier manufacturing and service.
Possibly true. However, I have seen enough double priced half basses and double priced half cases to make me feel this way. Obviously, this would be a great thing to be wrong about."That horse has left the barn."
While that is a laughable busine$$ model, I also find it a particularly offensive characterization of a small group of highly-skilled, dedicated, (and vanishing), craftsmen & women.
Just my $0.03
IMFO.
I don't know a lot about boats, but I heard a story once about my company's owner going in for some engine work to be done to his yacht.
He about came unglued when they started cutting the hull to access the engine. They can keep the process that way because of the high end status of most of those with yachts. But I'm sure most mechanics would rather have easier access for the same procedure. Eventually it will change, if it hasn't already. Don't know how long ago the story happened.
i agree on the production side.
i worry more on the strings side. wasn't there a recent thread about tuning and untuning strings and how they are affected?
how often do these repairs actually come in that need a bass to have bolts, trap doors and hinges to remove the top?
There is a demand with all bassists who travel. It is very common thing now. Slightly different than what the OP imagines, but it is very much "a thing". Like I said, the prices seem to be higher than parts & labor still, and the removable neck cases are double what the old coffins were.i've been mostly playing the devil's advocate on this issue. i am a science teacher by day and encourage new ideas and innovation like you are describing. but this, to me, seems where i draw the line.
the double bass is a work of art made by fine craftsmen - i don't see them changing their long standing tradition and the legacy of bass making for a concept that may or may not work in the long run.
how much money in R & D would a bass manufacturer have to put into this when there is no demand for the product or known cost-cutting benefits to them?
this, to me, is a "if it ain't broke..." situation.
There is a demand with all bassists who travel. It is very common thing now. Slightly different than what the OP imagines, but it is very music "a thing". Like I said, the prices seem to be higher than parts & labor still, and the removable neck cases are double what the old coffins were.
i am fully aware of the travel need.
i was corrected for that earlier in the thread and have focused my post on the non-travel need for a bolt on neck.
or lack there of....![]()
Yes!
OT - Chevrolet made a car in the late 70's - the Chevrolet Monza. (My sister had one.) There was a small V-8 version.