• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Winter Build-Off 2020 - Semi-Hollow Six String

I'm grinding away this week after work so there isn't some rush to the finish in the last few days for me.

Built the truss rod cover. I added some more faux abalone dots to pull the design together with the fretboard.

I also slotted the nut slot. Sorry, no zero fret this time, but I still want to figure out how sometime in the future.
bo-68.jpg


I went back into the control cavity with the electronics so I could figure out where to put everything. I hemmed and hawed so much that I finally got annoyed at my indecision and made the holes.
It's a volume and blend on the left, and on the right a stacked treble and bass control.
bo-69.jpg


There's not much left to do but make a nut and sand this thing up. Then the oil finish will go on and I'll assemble this beast. There's a little over 2 weeks left, if I can get the sanding done by the end of the weekend, I think we'll be in good shape.
 
This is my submission for the Winter 2020 Build-Off.

Winter Build-Off 2020 - Semi-Hollow Six String

This is a semi-hollow six string with wide spacing, a wide nut, and a 35" scale. It's a large-format bass for someone with large hands, I suppose. I don't have very large hands, but I have kind of gotten used to playing it anyway and if I can manage, then anyone can :). It's a big bass, but it does still fit into a standard case, see final pic.

I had a blast participating, and I'm genuinely humbled by the quality of the submissions. This is my 4th build and I learned a lot and tried a lot of new techniques this time, such as the piece-work on the heel, and the general semi-hollow architecture. It's far from perfect, but I feel like this is a true representation of the best I can do right now, so I'm pleased with the results. Thanks for looking!

Specifications
Body:
African Mahogany core, Wenge, and Hard Maple layers. Topwood is walnut with nice grain that I resawed from a piece sold as "Shelving" at the local hardwood shop.
Neck: Hard Maple with African Mahogany and Wenge stringers.
Fingerboard: Ebony, with faux abalone dots at the 12th and 24th frets. 14" radius. Ebony nut.
Frets: 24 medium-jumbo frets.
Scale Length: 35".
Headstock: 3x3 setup, 10 degree tilt-back. Walnut wings and an ebony top veneer.
Tuners: Hipshot ultra-lite Y-style, black.
Bridge: Aluminum 18mm Hipshot B-style top-loader.
Pickups: Bartolini split-coil hum-cancelling 5.5" candybars.
Preamp: Bartolini NTBT 918 2-Band preamp.
Controls: Volume, Blend, Stacked Bass/Treble.
Finish: Crimson Guitars Penetrating Oil, Crimson Guitars High-Build Oil.
Strings: LaBella 760FS-CB Flat-wound extra-long. .029 - .128 gauge.

I may make a sound sample, but it basically sounds like a split-coil J Bass, and my playing is nothing special.

Edit: here's some Aston Barrett riffs that will be familiar to most. This is both pickups. Deep and thumpy with the flats on there. Signal chain is as direct as I can make it. Bass --> Apogee Gio --> Logic Pro X. I used the Hi-Fi DI setting with zero effects.


Pictures:
build-off-2020 - 2.jpg
build-off-2020 - 4.jpg
build-off-2020 - 5.jpg
build-off-2020 - 6.jpg
build-off-2020 - 7.jpg
build-off-2020 - 8.jpg
build-off-2020 - 11.jpg
build-off-2020 - 15.jpg
build-off-2020 - 18.jpg

build-off-2020 - 1.jpg
 
Last edited:
This is my submission for the Winter 2020 Build-Off.

Winter Build-Off 2020 - Semi-Hollow Six String

This is a semi-hollow six string with wide spacing, a wide nut, and a 35" scale. It's a large-format bass for someone with large hands, I suppose. I don't have very large hands, but I have kind of gotten used to playing it anyway and if I can manage, then anyone can :). It's a big bass, but it does still fit into a standard case, see final pic.

I had a blast participating, and I'm genuinely humbled by the quality of the submissions. This is my 4th build and I learned a lot and tried a lot of new techniques this time, such as the piece-work on the heel, and the general semi-hollow architecture. It's far from perfect, but I feel like this is a true representation of the best I can do right now, so I'm pleased with the results. Thanks for looking!

Specifications
Body:
African Mahogany core, Wenge, and Hard Maple layers. Topwood is walnut with nice grain that I resawed from a piece sold as "Shelving" at the local hardwood shop.
Neck: Hard Maple with African Mahogany and Wenge stringers.
Fingerboard: Ebony, with faux abalone dots at the 12th and 24th frets. 14" radius. Ebony nut.
Frets: 24 medium-jumbo frets.
Scale Length: 35".
Headstock: 3x3 setup, 10 degree tilt-back. Walnut wings and an ebony top veneer.
Tuners: Hipshot ultra-lite Y-style, black.
Bridge: Aluminum 18mm Hipshot B-style top-loader.
Pickups: Bartolini split-coil hum-cancelling 5.5" candybars.
Preamp: Bartolini NTBT 918 2-Band preamp.
Controls: Volume, Blend, Stacked Bass/Treble.
Finish: Crimson Guitars Penetrating Oil, Crimson Guitars High-Build Oil.
Strings: LaBella 760FS-CB Flat-wound extra-long. .029 - .128 gauge.

I may make a sound sample, but it basically sounds like a split-coil J Bass, and my playing is nothing special.

Pictures:
View attachment 3741481 View attachment 3741482 View attachment 3741484 View attachment 3741485 View attachment 3741486 View attachment 3741487 View attachment 3741488 View attachment 3741489 View attachment 3741490
View attachment 3741491
:D:D:D:thumbsup::hyper::bassist::drool::drool::drool::drool:
 
What's your opinion on Crimson oil?

It was just as you described - low odor, fast drying and super easy to use. I used two coats of the penetrating oil and maybe 6-7 coats of the high-build oil. I really like the semi-gloss sheen that it has. I'll definitely use it again on builds where I don't stain the wood with color.
When I use color, which would be most of the time, I'll still probably go with Varathane Ultimate clear gloss. I prefer to design with color, but sometimes you got to let that natural wood show itself off!
 

Latest posts