Yup, my head is already spinning with possibilities. I'm thinking some marriage of Superstrat wiring (3x on/off/on mini switches) and the Brian May phase switching (3x on/on switches).Now you can go mad thinking of all the switching possibilities.![]()
One thing I just learned about the Brian May setup is that it has all 3 pickups (in his case, measly single coils) in series. But, this also exists:
Brian May switching with a master series/parallel switch. But what if we put a series/split/parallel switch on each pickup, too? Now we go from a paltry 7 switches to a middling 10.
But wait, there's more.
Who needs pots when you can use (wait for it) switches!? Of course we have our momentary killswitch (11), but will forego a volume control.
And rather than a boring tone pot, how about we wire in a varitone switch (12) so we can flip through a couple different capacitors?
Obviously, series/parallel switching, phase shifting, and a varitone aren't quite enough tone shaping options, so we need a passive bass cut switch. That brings us up to a respectable and lucky 13 switches. Of course, we would prefer 42 switches, but I didn't budget for that many switches and that many miles of wire.
I love how dumb(ucker) this is. How does the neck/bridge clearance look? In other words, is the neck pocket deep enough for the strings to clear as things currently are?
Yup, the neck and neck pocket both match up to standard Fender thickness/depth, so there's plenty of room for adjustability up and down. I'm honestly surprised by how well everything is coming together so far.
