I'm happy to report that the VL208 & Wizzy 12M worked and played well together last night, despite their differences in age, complexion*, impedance, sensitivity, and gender (to my ears, the VL208 is the one with the cojones!). I was a little worried that driving two small boxes with my iAmp800 at this outdoor venue might not work as well as my default rig (Dr. Bass 2460 and 1580 driven by a Carvin B1500), and although the EA
MROD didn't have comparable headroom, effortless low frequency extension, or sheer volume, they aquitted themselves quite nicely, thank you.
I also tried something new - I moved my rig to mid-stage-left where it was several feet closer to the audience; the VL208 was on bottom facing upstage and toward the front-line band members; the Wizzy was stacked on top, and turned 90-degrees cross-stage as my monitor and as a bass side-fill for the three of us downstage. The result was better on-stage coverage at a lower overall volume level, and the bass was more present on the dance floor without me turning up my volume level. No power alley effects, comb filtering, or other bad news was observed or reported.
From my position on stage, I was able to enjoy the LF output produced by both cabs, and with the Wizzy's kickstand aiming its output toward my noggin, I could hear myself clearly and at a lower volume than with my default rig pummeling me from behind. At last night's outdoor gig, this arrangement worked very well for us; so well, that I'm tempted to liquidate my default rig.
* For my purposes, the tolex duds worn by Ms. Wizzy comprise a far better cabinet covering than the rat fur coveralls worn by Mr. VL, but my Dr. Bass cabinets have convinced me of the superiority of "truck-bed liner." If I'm as happy with the EA
MROD after honeymoon as I am now, I'll probably have both cabinets professionally coated.