More power output options. I've run 9v, 12v, and 24v from it. Will work in any country without changing out the power supply. Every output is isolated. Small. Fits in some Nanos.
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Worship Bass Pedalboards
- Thread starter Cshanks5
- Start date
More power output options. I've run 9v, 12v, and 24v from it. Will work in any country without changing out the power supply. Every output is isolated. Small. Fits in some Nanos.
There's been a few threads around here about "real synth" vs bass+effects. The takeaway is typically is that it takes multiple pedals to really dial in a decent synth tone... it can be done if you're willing to put in the money and time to fiddle with finding the right pedals, dialing in your settings, and being willing to tweak your technique to "play along" with the pedals and get the proper sounds.
Given your premise of "not an effects guy" and looking for an all-in-one solution, you're probably better off with a separate synth. It'll sound way better than a single pedal solution and be less fuss.
My simple but effective setup. The HX Stomp is crazy powerful, I'm still learning and unlocking its abilities. Right now I'm running a virtual pedalboard that has compression, EQ, overdrive, auto-wah, delay, and an amp+cab sim. The three colored switches are the OD, wah, and delay toggles.
I'd bet you could find an opened-box, perfect working order Moog SubPhatty somewhere at a much lower price than new (or someone would be willing to make you a great deal on a new one)... Add their inexpensive padded gigbag—done...no need to second-guess tone or playability. Just bring it when you need it. Sell your microKorg to help offset the cost.
Along with my Moog SUBsequent 37, I've acquired more synth keys (Roland AX-Edge, Yamaha MX61) for my school project...lessons learned, regarding keybed size•action•touch sensitivity, in relation to feel, sound, and playing speed...it really matters...even if you're playing droning pad sounds. The three models above are keepers...I played others at local GC's that were immediately eliminated.
Regarding Moog, they have a very high (and quiet/clean) output signal (1/4") with a handy volume output control knob on board. SubPhatty>JDI>board = mega headroom! If you did opt to use an A/B box, you could quickly set the output to match your bass. Downside...wish they were designed flat (without the upright angle) for transportability...but Moog's sure sound incredible!
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Is there any good Direct Boxes out there that doesn't run off of Phantom Power? I'm wanting to add a nice clean DI to my Pedal board and can't seem to find any that isn't Phantom Powered.
The Radial JDI is a passive DI with a Jensen Transformer. It doesn't require power and is a great basic DI.
So this works with no power at all? Not even 9v pedal power?
Yes, super simple, and very high quality.
Any passive DI should do the trick. Only Active DI requires phantom power.
https://www.sweetwater.com/c957--Passive_Direct_Boxes
The Radial JDI and its smaller sibling the ProDI are solid options and I've used both. I've been using a Whirlwind IMP2 that I picked up for $45 for several years with good results.
The grizzly overdrive is great for subtle breakup to pretty aggressive tones. I'm not a huge fan of the distortion, but it is useful in low doses and you don't lose much bass. Gets pretty compressed when the distortion is cranked. The low pass filter is a really nice feature (-6 dB/octave starting at 20Kh).
CAL posted some sample settings:
I'm also impressed with CAL's customer service. Sent an email with a couple questions and received a detailed and helpful response the same day. If you buy direct they offer a two week limited trial.
I've not found too many drives that work for me with the church band, but I use the Grizzly on one or two songs every week either as a fairly clean boost or slightly driven tone. I've never used the Beta, Agro, Barbershop, or Blueberry, so can't compare those to the Grizzly. I dig it and suspect it will be on the board for awhile.
Yes. I use a JDI sand they do have to run my input gain a little hotter at the. Board but the signal is so clean and nice. Totally worth it and simple.
I was thinking Sub37...I'd bet you could find an opened-box, perfect working order Moog SubPhatty somewhere at a much lower price than new (or someone would be willing to make you a great deal on a new one)... Add their inexpensive padded gigbag—done...no need to second-guess tone or playability. Just bring it when you need it. Sell your microKorg to help offset the cost.
Along with my Moog SUBsequent 37, I've acquired more synth keys (Roland AX-Edge, Yamaha MX61) for my school project...lessons learned, regarding keybed size•action•touch sensitivity, in relation to feel, sound, and playing speed...it really matters...even if you're playing droning pad sounds. The three models above are keepers...I played others at local GC's that were immediately eliminated.
Regarding Moog, they have a very high (and quiet/clean) output signal (1/4") with a handy volume output control knob on board. SubPhatty>JDI>board = mega headroom! If you did opt to use an A/B box, you could quickly set the output to match your bass. Downside...wish they were designed flat (without the upright angle) for transportability...but Moog's sure sound incredible!
...there's presets on board my 37 that totally clone Michael Jackson songs for your cover band. I can't get my other synths to match as closely...
General rule is Passive Di with an active bass. If you're using any pedals as well, a passive will be the way to go. There shouldn't be a huge difference in gain. Active DI if you are looking for their specific way they shape the tone.
