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Worship Bass Pedalboards

Hi - can you all comment on the Noble preamp/DI or the REDDI DI or the Neve RNDI? Since I use no amp, I don't mind spending a little on a nice DI. I'm working towards a simple set-up of a single pedal for some drive (Fairfield barbershop and accountant incoming) into a nice pre/DI. Thanks....
The Noble gets a ridiculous amount of love around here. I'm sure I'd love it, but I'd have to sell most everything else I have to fund it. That and the Shift Line Olympic MkIII. As for a straight DI (no preamp or controls), there are lots of threads out there and shootouts on Youtube that compare them. It all just depends on what you're looking for and how much you're willing to spend.
 
From a spiritual perspective, I look at it as giving God my best. You have a responsibility to help lead others in worship, wouldn't it make sense to bring the best bass tones possible?

I completely agree but I guess my struggle is am I spending time, talent and a lot of treasure because I like it or because it is filling that responsibility? Would I be leading just as well..
 
I started this whole pedalboard search after many churches started going "ampless." I live in a small town with notoriously under qualified sound personnel who I did not trust to EQ/compress my tone properly. So I developed a board that enables me to send the best EQ'd/compressed tone I can to the board.
This was my first reason for the DI and comp since I didn't trust and for good reason. All in all I don't have that much on my board compared to what I could have. But I could have less I think.
 
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The Noble gets a ridiculous amount of love around here. I'm sure I'd love it, but I'd have to sell most everything else I have to fund it. That and the Shift Line Olympic MkIII. As for a straight DI (no preamp or controls), there are lots of threads out there and shootouts on Youtube that compare them. It all just depends on what you're looking for and how much you're willing to spend.
I found a good blind sound sample test thread from 2017 that was helpful. Thanks....
 
I look for the tone and effects I want as a way of enabling me to play my best. I understand the congregation almost certainly does not realize the nuances of my tone.
 
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I look for the tone and effects I want as a way of enabling me play my best. I understand the congregation almost certainly does not realize the nuances of my tone.
Right. That's an important variable. If I don't feel like I sound good, it's no fun. It can be a big distraction. And then I'm not playing my best and worshiping in the moment like I should/can be.
 
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I've said it before and I'll say it again. When it comes to the never ending search for the "best" bass/tone/pedals, etc. I believe we do most of this for ourselves (and maybe you could argue for Jesus). We could all do well enough just plugging a bass into a DI. Maybe add a tuner, just so we're not offering out-of-tune praises. For the most part, nobody except our fellow musicians (if even they) will ever notice our tone. Unless you're doing something flamingly obvious, like using pedals to turn your bass into a synth with fuzz/octave/chorus or something, nobody cares. And even then, the congregation probably wouldn't notice or care where that cool synthy tone was coming from. They're just listening to the music and worshipping. The bass is not out there in front. It's more of a feeling/presence in the low end.

After years of playing at my old church, the sound guy (also a bassist) told me I sounded great last week, like better than I had for the past couple of years. I'm not sure what to attribute it to, because I flipped a bunch of pedals (compressor, preamps, eq) and used a new bass. So it could have been any number of those variables - or all of them - that led to him thinking I sounded better. But I've been playing in church(es) for decades, including that one. And I'm pretty sure that's the ONLY time someone has commented on the quality of my tone. And he only noticed because he's a long-time bass player himself. Nobody else on the team said a word. And that's fine. I don't do it for them. But it's nice to get a complement from time-to-time.

I think the best, strongest tone I could ever get out of my bass would be just plugging it straight into an active DI and letting the sound person do their job. But I started this whole pedalboard search after many churches started going "ampless." I live in a small town with notoriously under qualified sound personnel who I did not trust to EQ/compress my tone properly. So I developed a board that enables me to send the best EQ'd/compressed tone I can to the board. All they have to do is just turn it up. The rest (overdrive, chorus, etc.) is just the icing on the cake. I do it for me, because I think it's fun. The main electric guitar player has been using the same amp and guitar since about 2001. And it still sounds good. The other bassist has one bass he plugs into an amp. The rebel.

I primarily use a nano board with as few effects as possible, so things are not muddying up my tone. Even when everything is bypassed (even with true bypass pedals), there is tone suck just due to having additional pedals and cables in line. Less is more when it comes to good tone, in my opinion. When I use my "big board," (which I actually have yet to do outside of the home, but I put it together for a cover band that never materialized), I use a bypass looper to keep as few effects as possible in the chain.

For church and cover band I'm going back to my Nano with a TU-2 and a JDI. It's how I think I sound the best. Solid bass tone for everyone else guitar and keys) to build on with all their effects. Me and drums lay it down.
 
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For church and cover band I'm going back to my Nano with a TU-2 and a JDI. It's how I think I sound the best. Solid bass tone for everyone else guitar and keys) to build on with all their effects. Me and drums lay it down.
I came full circle as well. I only dabbled a little in dirt, but Im just back to tuner/markbass compressore/and sansamp. Amp like sound compressore to tame my old punk rock hand, and hold down the bottom.
 
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I'm playing in a musical production in Jan-Feb, so that will probably be the smallest pedalboard I have ever carried. Tuner > Compressor > Preamp. Done. No overdrives, octave or chorus. I'm not going to know what to do with myself. But it will probably be the best, purest tone I've had in a long time.
 
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I'm playing in a musical production in Jan-Feb, so that will probably be the smallest pedalboard I have ever carried. Tuner > Compressor > Preamp. Done. No overdrives, octave or chorus. I'm not going to know what to do with myself. But it will probably be the best, purest tone I've had in a long time.


I think that I will pop the subway, SP and tuner off my board and run that in December when I play. I'm betting it will sound strong. If that's the case I let go of a few pedals.
 
I've been using a small pedalboard for all my church travels and our main church setup of just a Nordstrand Starlifter or Shift Line Tube Preamp, Darkglass Hyper luminal or Union Tube and Transistor Compressor, and my Shure GLXD. I have a Genzler 350 and 2 of the 10-2 arrays also but I honestly have found that my tone has never been better in the FOH or IEM's than I have now and its so easy just transporting my Pedalboard. Our church has a TV broadcast and the tone I'm getting using my little setup is really nice.
 
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I'm playing in a musical production in Jan-Feb, so that will probably be the smallest pedalboard I have ever carried. Tuner > Compressor > Preamp. Done. No overdrives, octave or chorus. I'm not going to know what to do with myself. But it will probably be the best, purest tone I've had in a long time.
Yeah, I'm not going to tell anyone not to use effects if that's your thing, but to me, most bass effects in a live situation just get lost or mud things up. Solid, clean bass to hold it together for me. :cool:
 
Yeah, I'm not going to tell anyone not to use effects if that's your thing, but to me, most bass effects in a live situation just get lost or mud things up. Solid, clean bass to hold it together for me. :cool:
For the most part, I'd agree, unless it's something really dramatic. Octave is cool, but that's another thing that nobody will notice. All they hear is a bass note. They don't care where it's coming from, lol. I do really like chorus, though. But that's because I'm a child of the 80's. I love to turn chorus on in mellow, vamping parts of worship songs, but would never use it for a whole song. Unless I was in an 80's cover band. Even that I doubt the average person notices or cares about. It's totally for my own enjoyment.
 
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For the most part, I'd agree, unless it's something really dramatic. Octave is cool, but that's another thing that nobody will notice. All they hear is a bass note. They don't care where it's coming from, lol. I do really like chorus, though. But that's because I'm a child of the 80's. I love to turn chorus on in mellow, vamping parts of worship songs, but would never use it for a whole song. Unless I was in an 80's cover band. Even that I doubt the average person notices or cares about. It's totally for my own enjoyment.
Counterpoint, mostly I agree that they don't notice. They certainly couldn't explain what they are hearing. But they may hear things they can't explain. Some will be able to appreciate a well-crafted tone even if they don't realize it's an octave into OD into a phaser.
 
Counterpoint, mostly I agree that they don't notice. They certainly couldn't explain what they are hearing. But they may hear things they can't explain. Some will be able to appreciate a well-crafted tone even if they don't realize it's an octave into OD into a phaser.
True. And really, if you like the sound and it makes playing more fun for you or you think you play better, go for it. Who cares if no one notices. You do, right?
 
Counterpoint, mostly I agree that they don't notice. They certainly couldn't explain what they are hearing. But they may hear things they can't explain. Some will be able to appreciate a well-crafted tone even if they don't realize it's an octave into OD into a phaser.
Touche. You may not get the credit you deserve for crafting such a tone, but the end result will be appreciated by those listening.
 

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