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Not yet. It's not the limited edition run that he's finishing right now but it's in for the August build.The new one! Do you have it yet?
Please keep us posted. I'm using a Slampegg Bee X right now, but very curious about this one!Not yet. It's not the limited edition run that he's finishing right now but it's in for the August build.
Will do!Please keep us posted. I'm using a Slampegg Bee X right now, but very curious about this one!
Bass, Board, Shoes
Setlist: Child of Love, Goodness of God, Do It Again, Waymaker, Amazing Grace
View attachment 4370322
Haven't seen many Steinberger basses lately. Nice.Bass, Board, Shoes
Setlist: Child of Love, Goodness of God, Do It Again, Waymaker, Amazing Grace
View attachment 4370322
Well, another factor in my analysis paralysis are days like today, where I fill in on acoustic guitar. The Empress/REDDI combo worked pretty well.
Bass, Board, Shoes
Setlist: Child of Love, Goodness of God, Do It Again, Waymaker, Amazing Grace
View attachment 4370322
No. It was a limited run that Zoom did for Ishibashi music store in Japan. I bought it from an eBay seller in Japan because I thought the black would look better on my board. It didn't really cost more than a new red one. It just took longer to get here.Did you paint your ms60b black?
The compressors on the HX a must not be good. Almost every board I see with a Stomp has a separate compressor and often tuner. So I guess people are using it for the effects then? I don't use many effects so this is why for me I can't see why the Stomp is so great. Tuner, octave and compressor are pretty basic things for a bass player. I don't feel like Line 6 has ever really supported bass players. I get it, there's more money to be had from guitar players as they (generally) use more effects and there are lots more of them.
Brett, shouldn't you mix/process based on what you hear and what the mix needs?Pro tip (as an FOH Engineer, bassist second): if you are planning on using compression in your signal chain, just let the sound guy/gal know. I mix differently if I know you have compression on your board. Sure I'll still run your channel through a compressor, but I will adjust it so that the musicality that comes from compression is due to your pedal, and that mine is just there for overall dynamic control and to limit fun "surprises".
This is both a yes and no situation.Brett, shouldn't you mix/process based on what you hear and what the mix needs?
The CabZone X is fantastic. Run that after a dirt pedal or preamp and you'll be in good shape. Or get the SLO MKIII, which is the best of both worlds. Lately I've actually been a bit tempted by the Nux Melvin Lee Davis NBP-5, myself as well, even though I've got a lot of gear that is . . . theoretically . . . much higher end. Or at least more expensive. It's got a great cab sim that is selectable for the DI, 1/4" out, or both, headphone amp, and a pretty good sounding drive, from what I've heard online.
I really like the NBP-5 model in my NUX MG-30. I'm sure the real thing is even better!The CabZone X is fantastic. Run that after a dirt pedal or preamp and you'll be in good shape. Or get the SLO MKIII, which is the best of both worlds. Lately I've actually been a bit tempted by the Nux Melvin Lee Davis NBP-5, myself as well, even though I've got a lot of gear that is . . . theoretically . . . much higher end. Or at least more expensive. It's got a great cab sim that is selectable for the DI, 1/4" out, or both, headphone amp, and a pretty good sounding drive, from what I've heard online.