I've been really conservative with effects lately. Mostly just my Darkglass compressor, OmniCabSim, and Noble DI, and occasionally VMT.
The "sub effects" like the Octavbre and Meatbox or Mantic Hulk aren't getting good results.
I'm now overseeing the entire tech department, so the sound system is my jurisdiction. I've found that it is difficult to get the sound guys to mix the bass to my liking, most either consider bass an afterthought or mix it "so you can feel it and not hear it" (whatever that means, usually jack low end and mutilate the mids - I'm trying to train them differently). Also, our subs are being worked hard, and additionally we have a low metal ceiling which means we trap certain frequencies and the roof rattles sympathetically.
As a result, those rich lows from the sub synth pedals really just wreak havoc on the mix.
If I use them and the sound guy isn't ready, sometimes they'll just pull me out completely out of fear I'll stomp on a pedal
So, these days, to gain their trust I don't uses them much.
The "sub effects" like the Octavbre and Meatbox or Mantic Hulk aren't getting good results.
I'm now overseeing the entire tech department, so the sound system is my jurisdiction. I've found that it is difficult to get the sound guys to mix the bass to my liking, most either consider bass an afterthought or mix it "so you can feel it and not hear it" (whatever that means, usually jack low end and mutilate the mids - I'm trying to train them differently). Also, our subs are being worked hard, and additionally we have a low metal ceiling which means we trap certain frequencies and the roof rattles sympathetically.
As a result, those rich lows from the sub synth pedals really just wreak havoc on the mix.
If I use them and the sound guy isn't ready, sometimes they'll just pull me out completely out of fear I'll stomp on a pedal

So, these days, to gain their trust I don't uses them much.