• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Worship Bass Pedalboards

Here is mine set up for Christmas Eve. We are doing 5 songs, and only one uses effects. The comp and pre are always on.
View attachment 5288553
Ooooh! Horrothia Teeth? Tell me more! I love seeing new pedals I've never heard of before. Especially when someone combines them with a Noble and Cali, which tells me you know what you're doing. I just looked up their website. How do you like it? How do you use it?
 
  • Like
Reactions: NickyBass
Ooooh! Horrothia Teeth? Tell me more! I love seeing new pedals I've never heard of before. Especially when someone combines them with a Noble and Cali, which tells me you know what you're doing. I just looked up their website. How do you like it? How do you use it?

Haha. Well, I'm not sure that I know what I'm doing. I just find stuff that I like and turn some knobs until it's more better. :)
I really like the Teeth. It has a parallel signal path, so the lows aren't as driven, and the mids and highs are more affected. So, the low end is retained. I know some people use the low gain drives as an always on type pedal, but I am using it as an effect. This is the first service I'm using it for. I have it after the Octabvre (octave mix set 50/50, tone halfway) and, this week, I'm using it for Go Tell it on the Mountain (we're doing the version that is linked below). I was using the Vintage MicroTubes, but I think the Teeth is a 'tighter' sounding pedal, which is what I'm going for with effects.

I also have the Horrothia chorus, which I will add to the bigger board.

 
Last edited:
I've been switching out pedals based on songs. It's been working, but I ordered a bigger board that I can leave wired up and just grab and go. I like the Emerson in the pic, but I just wish I could fit a chorus on there. Since I will have extra room, I will add in a few different drives for different textures.

this is my problem too. When I bought my pedalboard I underestimated the necessary size lol.
 
  • Like
Reactions: NickyBass
this is my problem too. When I bought my pedalboard I underestimated the necessary size lol.

I didn't realize how many effects were on the Worship recordings. I thought a tuner, comp and pre would be sufficient, and I suppose they are, but I want to recreate the parts as accurately as possible. (Plus, it's fun to try effects.) If I could fit one more pedal on there, I'd be ok. But, this time, I went bigger than I thought I'd need. It's not massive, but it can probably fit 2x as many pedals.
 
  • Like
Reactions: JeffTCS
I didn't realize how many effects were on the Worship recordings. I thought a tuner, comp and pre would be sufficient, and I suppose they are, but I want to recreate the parts as accurately as possible. (Plus, it's fun to try effects.) If I could fit one more pedal on there, I'd be ok. But, this time, I went bigger than I thought I'd need. It's not massive, but it can probably fit 2x as many pedals.
That's why I went Stomp. I can use as much or as little as I want and change it all at the stomp of a footswitch.
 
  • Like
Reactions: furym and NickyBass
That's why I went Stomp. I can use as much or as little as I want and change it all at the stomp of a footswitch.

I looked into the Stomp, but that was after I went with a few other individual pedals. :banghead:
But, still, I think I would have gone the pedal route. Maybe it will change in the future, but I am feeling good that I have everything I need--I just need to organize it better. If they start adding songs with a lot of heavy synth and filter effects, that's when I might look more into the Stomp.
 
  • Like
Reactions: BassPraiser777
I looked into the Stomp, but that was after I went with a few other individual pedals. :banghead:
But, still, I think I would have gone the pedal route. Maybe it will change in the future, but I am feeling good that I have everything I need--I just need to organize it better. If they start adding songs with a lot of heavy synth and filter effects, that's when I might look more into the Stomp.
Oh, I debated what to do for a long time. For anyone who knows me knows that's no surprise. I had a great "plain" board. Tuner, Empress Bass Compressor and Empress Para EQ Deluxe into a REDDI. That was the best bass tone I have ever had. At that time we started wanting to not use our personal stuff at church. Hence the Stomp. We could leave it there and whomever played bass could use it. It sounded great. I compared it to my analog rig, and no one really noticed a big difference, so then I went Stomp for my other personal gigs as well.

I still occasionally debate going back, but I am pretty invested in presets and aux switches and such, and still no one would notice a difference, so I'm going to stay the course. I think digital stuff like this makes sense for me. If I were a touring/recording pro, then maybe not...or maybe?
 
Last edited:
How was the learning curve? There was a time in my past where I would have loved to tear through the Stomp and learn every tiny detail. It seems like the newer stuff is more user friendly.
It's not that bad. The software helps a lot. I don't edit on the Stomp by itself at all. I was able to get some decent sounds. These days, I use Ian's presets almost exclusively as they sound great I have tweaked a couple synth ones for my taste. I am also going to spend some time over break to maybe do some more tweaking, add the Noble to the end of some of them. He uses 4 and 5 for some extra drives and such that I don't so I can free up some blocks there and still keep the original sound in tact.
 
Haha. Well, I'm not sure that I know what I'm doing. I just find stuff that I like and turn some knobs until it's more better. :)
I really like the Teeth. It has a parallel signal path, so the lows aren't as driven, and the mids and highs are more affected. So, the low end is retained. I know some people use the low gain drives as an always on type pedal, but I am using it as an effect. This is the first service I'm using it for. I have it after the Octabvre (octave mix set 50/50, tone halfway) and, this week, I'm using it for Go Tell it on the Mountain (we're doing the version that is linked below). I was using the Vintage MicroTubes, but I think the Teeth is a 'tighter' sounding pedal, which is what I'm going for with effects.

I also have the Horrothia chorus, which I will add to the bigger board.


That's a really cool version of the song. I love a good mash up.
 
It's not that bad. The software helps a lot. I don't edit on the Stomp by itself at all. I was able to get some decent sounds. These days, I use Ian's presets almost exclusively as they sound great I have tweaked a couple synth ones for my taste. I am also going to spend some time over break to maybe do some more tweaking, add the Noble to the end of some of them. He uses 4 and 5 for some extra drives and such that I don't so I can free up some blocks there and still keep the original sound in tact.
Can you share a link or something to those presets, if they're for sale or download? We've recently gone silent stage so I'm looking for some easy to use settings for my Stomp.
 
  • Like
Reactions: BassPraiser777
Haha. Well, I'm not sure that I know what I'm doing. I just find stuff that I like and turn some knobs until it's more better. :)
I really like the Teeth. It has a parallel signal path, so the lows aren't as driven, and the mids and highs are more affected. So, the low end is retained. I know some people use the low gain drives as an always on type pedal, but I am using it as an effect. This is the first service I'm using it for. I have it after the Octabvre (octave mix set 50/50, tone halfway) and, this week, I'm using it for Go Tell it on the Mountain (we're doing the version that is linked below). I was using the Vintage MicroTubes, but I think the Teeth is a 'tighter' sounding pedal, which is what I'm going for with effects.

I also have the Horrothia chorus, which I will add to the bigger board.


Love it, sadly, our band is not quite up to that yet!
 
  • Like
Reactions: BassPraiser777
Can you share a link or something to those presets, if they're for sale or download? We've recently gone silent stage so I'm looking for some easy to use settings for my Stomp.
Here's his site. They are for sale and are worth it - especially the Signature pack. Gets you 3 very usable and one more specialized preset.

PRESET STORE — Ian Martin Allison
 
Oh, I debated what to do for a long time. For anyone who knows me knows that's no surprise. I had a great "plain" board. Tuner, Empress Bass Compressor and Empress Para EQ Deluxe into a REDDI. That was the best bass tone I have ever had. At that time we started wanting to not use our personal stuff at church. Hence the Stomp. We could leave it there and whomever played bass could use it. It sounded great. I compared it to my analog rig, and no one really noticed a big difference, so then I went Stomp for my other personal gigs as well.

I still occasionally debate going back, but I am pretty invested in presets and aux switches and such, and still no one would notice a difference, so I'm going to stay the course. I think digital stuff like this makes sense for me. If I were a touring/recording pro, then maybe not...or maybe?

Exactly the reason why I did the same. The stomp into a tube DI of some sort is great for what I do.

I could always make a preset for something specific, or purchase one from someone… but I am really digging the IMA sig preset. Works great for what I do, love the subtle changes each makes and all 3 together is kinda synthy.
 
  • Like
Reactions: SteveC and furym
Exactly the reason why I did the same. The stomp into a tube DI of some sort is great for what I do.

I could always make a preset for something specific, or purchase one from someone… but I am really digging the IMA sig preset. Works great for what I do, love the subtle changes each makes and all 3 together is kinda synthy.
I actually use the IMA SIG almost of the time. When I need synth I just tap all 3 and I'm good to go.
I debated getting a nice tube DI to run it into but then I'm back to no one really noticed when I didn't use my REDDI so….why spend hundreds on a tube DI?
 
I actually use the IMA SIG almost of the time. When I need synth I just tap all 3 and I'm good to go.
I debated getting a nice tube DI to run it into but then I'm back to no one really noticed when I didn't use my REDDI so….why spend hundreds on a tube DI?

Status symbol :D

I dunno, I like the khan lots. Maybe I need to try to A/B it with a radial JDI or something like that.

plus it's just cool to say you have tube(s) on your pedalboard :woot:

We'll see what happens when I have the khan and the noble (should be here in a couple months) in hand.
 
  • Like
Reactions: BassPraiser777
I run mine to a Radial Pro. No tubes, no Jensen, but still a good DI. The Radial JDI (wish I kept mine) is a great DI. Almost has qualities of a tube DI. The Jensen is key I think. You find it in all the big tube DI's like REDDI and Noble.
 
Last edited:
  • Like
Reactions: BassPraiser777
I'll be at another church this Sunday, I know they have a couple different radial DIs… if we're able to, maybe I'll try to A/B it.

but I agreee with you… live, I bet no one would know.
Yes, but as we often discuss, you'll know. And that might be all that matters. You'll probably play better and have an all around more enjoyable experience the better you sound and the better you feel like you sound. Case in point, I recently got a Backbeat. Totally unnecessary, and kind of a lot of money. More than I've spent on any pedal ever except my Stomp. And the worst part is, nobody will ever hear it or know the difference . . . because it makes no noise and has zero effect on my signal/tone. But I'll notice. And boy, what a difference it makes. I have yet to try it outside of the home, but it has made practicing and headphone jamming infinitely more enjoyable. It makes me feel like I sound better, even though there is literally zero difference in my tone.