I was going to mention that on your video, the Grizzly sounds great. Almost makes me want to dig mine out of the closet. It's a great pedal.
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Sorry yes I definitely didn't mean to insinuate that the Darkglass and Capo were apples to applesI think the flavors you mentioned are very different. Not a bad thing necessarily.
To me [sorry in advance] I've never loved Aguilar. It has this like mid mid characteristic that feels really odd to me, and I could never EQ it out. Kind of sounded like a honky frequency. I don't think of Aguilar as dirty at all, but you could be using the AGS circuit a lot more than I used to (which was like... not at all. Actually, in hindsight I really like AGS).
I hear darkglass as this really particular overdrive sound that is almost instantly recognizable in the way the most popular players utilize it. Not a bad thing. Is it maybe low mid scoopy (not a bad thing)?? I haven't pulled up sound examples.
CAPO is very smooth in its drive. Like some people don't feel like the saturation is dirty enough with the A side significantly cranked. I find you feel the saturation more as a thickness + compression. Then the B side I think comes out more clipping the transient of your attack.
I would also throw out a dirt pedal I really think is underrated... that Creation Audio Grizzly bass. It can do the Ampeg thing but without a cab sim (which is what I really really prefer). Noble plus Grizzly bass was a pretty insane combo to me. I think I saw the pedal initially on David Curran's board. He was with elevation, Brandon lake, Lauren Daigle. I bet Grizzly Bass + RNDI would be pretty deadly too.
My dirt pedal hunt went through a barbershop clone - and the a clone I made of the topologically similar SS/BS mini - I love the JFet drive sound… I'm sorted for drive…I would also throw out a dirt pedal I really think is underrated... that Creation Audio Grizzly bass. It can do the Ampeg thing but without a cab sim (which is what I really really prefer). Noble plus Grizzly bass was a pretty insane combo to me. I think I saw the pedal initially on David Curran's board. He was with elevation, Brandon lake, Lauren Daigle. I bet Grizzly Bass + RNDI would be pretty deadly too.
I think most TH AGS users dial the mids back pretty significantly with the gain up around noon. To me, the THDI is really just a great sounding overdrive box with a DI included. I wish you could buy the AGS circuit in a smaller pedal. I tried the Aguilar AGRO and Storm King and while they are similar they don't seem to nail the AGS drive.I am however running it AGS always on, with gain at noon and the rest of the EQ at noon. And to my understanding of the AGS, the more the gain is pushed it pushes/saturates the mids even further.
He is using the version 1 Kilt. My WL advises that is the highly sought after and pricey version that has the magic. The current V2 may not be as magical. I may get one from JHS on their return policy to try it out.Everything in that video sounds great. I may have to look into the Kilt. That fuzz sounds wonderful.
...and a Jazz Bass!![]()
The Tremond Rat is another drive option. @MikoFX has listed his Tremond Mini rat pedal for sale. I have one too and it sounds wonderful in finger style. Nice thickness and body to the note. With a pick, it's pretty much an aggressive rat, which in a dense mix does sound very good. The "standard" Bethel bass board contains a RAT device, so the Tremond is a good fit for modern worship tones.I think the flavors you mentioned are very different. Not a bad thing necessarily.
To me [sorry in advance] I've never loved Aguilar. It has this like mid mid characteristic that feels really odd to me, and I could never EQ it out. Kind of sounded like a honky frequency. I don't think of Aguilar as dirty at all, but you could be using the AGS circuit a lot more than I used to (which was like... not at all. Actually, in hindsight I really like AGS).
I hear darkglass as this really particular overdrive sound that is almost instantly recognizable in the way the most popular players utilize it. Not a bad thing. Is it maybe low mid scoopy (not a bad thing)?? I haven't pulled up sound examples.
CAPO is very smooth in its drive. Like some people don't feel like the saturation is dirty enough with the A side significantly cranked. I find you feel the saturation more as a thickness + compression. Then the B side I think comes out more clipping the transient of your attack.
I would also throw out a dirt pedal I really think is underrated... that Creation Audio Grizzly bass. It can do the Ampeg thing but without a cab sim (which is what I really really prefer). Noble plus Grizzly bass was a pretty insane combo to me. I think I saw the pedal initially on David Curran's board. He was with elevation, Brandon lake, Lauren Daigle. I bet Grizzly Bass + RNDI would be pretty deadly too.
That definitely makes sense. At my start I was using it more as my EQ too, as I was just running a P Bass and fewer pedals. With the Stingrays on board EQ plus some other additions that makes it easier to use it more like you stated.I think most TH AGS users dial the mids back pretty significantly with the gain up around noon. To me, the THDI is really just a great sounding overdrive box with a DI included. I wish you could buy the AGS circuit in a smaller pedal. I tried the Aguilar AGRO and Storm King and while they are similar they don't seem to nail the AGS drive.
The 2nd set of Ian's presets are great as well. The Juno synth is really nice I think, and the Noble is my new go to.
Finished this summer's board up-size project. Moved from my starter board Mono Lite+ 18x6 (now my "fly rig") to the Mono Small 18x12. I've been away for the summer and have three Sunday's booked for September. Can't wait to back into the groove....
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Love your boards!
Although, I love coming here and looking at everyone's pedalboards, and reading about new gear and effects that comes out. I came to the realization, that nobody notices difference in my tone... no matter what I add or upgrade. I realized that from what Ian Martin Allison said in a video I can't find anymore, but what he said made a lot of sense, and it comes to mind when I see new pedals and DI's come out. He said, if you are happy with your tone, and it sounds good to you, the sound guys, and your audience, spending $1000's in pedals, preamps, DI's... etc... wouldn't really add much to what you already have. ROI wouldn't be much from the money spent.Still just running the Korg tuner and HXStomp with Rolls for IEM. Nothing new and exciting.
The reason why I got the HX Stomp was to reduce my urge to buy new pedals... It kind of worked... haha... but still very happy with it.
Helix LT for me. I can't justify the QC as a weekend warrior. I have other things to spend money on too.Same here… but then the quad cortex showed up and I like that thing even more
Similar story here, anyone I've asked for feedback on says my tone sounds great, and I even ask them not to just blow smoke lol. We are Post EQ too so I get more particular about trying to be really dialed in. Even with good feedback, the knob tweaking, and pedal experimentation persists haha. Hopefully soon our livestream will be share worthy as I'd like honest feedback from fellow bassists tooEverybody loves my overdriven bass tone especially when I play with a pick but no one in the congregation cares what presets I use or how I attack the strings. They just know it sounds goooodd.
I also don't like how FOH does the bass in general in the overall mix. It's either too quiet or too trebly or just non-existent. I showed them samples from previous worship service audio recordings we had where the bass was prominent and properly mixed but it's still never done right.
I'm a weekend warrior as well!Helix LT for me. I can't justify the QC as a weekend warrior. I have other things to spend money on too.