SFT actually does the job really well, just means I have nothing to stack dirt
I have a woolly mammoth kit half built, i think it might do the job (if I get it working). But those demos of the Albatross sounds so good
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Anyone try the Twilight Pulse Konstante? It's basically an EP Booster and a Lightspeed in one. Was thinking of trying it out on bass.
Yes sir! It's one of my favorites. Didn't expect to like it as much as I do. Makes a huge difference in my overall tone.My friend @projectapollo and fellow Tennessean loaned me his Origin Effects DCX. Oh my goodnessā¦what an amazing pedal. So many great sounds. I canāt believe it has taken me this long to try the DCX. I highly recommend that this land on your board.
This is the way.Not exactly pedalboard related but I picked up a Vintera II Road Worn 60s P-Bass on a whim. Sold a few pedals that I wasn't using and I know I was never going to use. Definitely a different vibe than Dingwall, but I think it sounds dope! Need to round out the fret ends a bit, Dingwall spoiled me! The 7.25" radius is going to take some getting used to. The neck is wide but thin, so it's comfy to me.
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I get it... the Dingwall low-end clarity and sustain is unbeatable, but sometimes a P bass is just the vibe. I'm almost always playing one of the two.Not exactly pedalboard related but I picked up a Vintera II Road Worn 60s P-Bass on a whim. Sold a few pedals that I wasn't using and I know I was never going to use. Definitely a different vibe than Dingwall, but I think it sounds dope! Need to round out the fret ends a bit, Dingwall spoiled me! The 7.25" radius is going to take some getting used to. The neck is wide but thin, so it's comfy to me.
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Yup! I'm definitely not selling my Dingwalls anytime soon! It's more of a flavor thing. I just enjoy having access to different flavors at different times! I always joke around like this with a buddy of who said I have an addiction: "A guitar is not a wife, I can have more than one you know".I get it... the Dingwall low-end clarity and sustain is unbeatable, but sometimes a P bass is just the vibe. I'm almost always playing one of the two.
My wife asks me how many more. I say, ājust one moreā.Yup! I'm definitely not selling my Dingwalls anytime soon! It's more of a flavor thing. I just enjoy having access to different flavors at different times! I always joke around like this with a buddy of who said I have an addiction: "A guitar is not a wife, I can have more than one you know".![]()
Do you mind if I use that?Yup! I'm definitely not selling my Dingwalls anytime soon! It's more of a flavor thing. I just enjoy having access to different flavors at different times! I always joke around like this with a buddy of who said I have an addiction: "A guitar is not a wife, I can have more than one

Yeah, they're more like concubines I guess...Yup! I'm definitely not selling my Dingwalls anytime soon! It's more of a flavor thing. I just enjoy having access to different flavors at different times! I always joke around like this with a buddy of who said I have an addiction: "A guitar is not a wife, I can have more than one you know".![]()
Not at all! Always gets a laugh.Do you mind if I use that?![]()
Two wordsā¦.Tone Hammer!Stumbled on an interview with one of the best rock/indie producers Rich Costey (foo fighters, muse, vampire weekend, the killersā¦) talking about mixing bass.
āOne of the interesting things regarding mixing bass is that you may think that the bass sound on its own is fairly bright, but when you add the rest of the instruments you find that the top mid-range of the bass is usually missing. It's sometimes quite shocking to realise how much top end you need to add to a bass to make sure it cuts through a track. If you then hear the bass sound in isolation it may sound pretty uncomfortable, but in the midst of a swirling din of a dense track, that amount of top end usually works just fine."