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Worst bass tone in a professional recording?

lunarpollen said:
Anyone who nominates Fieldy wasn't paying attention to the original question. Worst bass TONE in a professional recording. Which implies there has to be actual tone to begin with.

OK, Referring to my earlier post, I stand corrected! That ^^^^^^ IS bashing. Carry on with the complaints about bashing. <sigh>
 
Yeah, perfect example of a GREAT player going bad (tone-wise). He was so obsessed with treble, distortion and effects, his tone at the end of his career was horrible.

Are you kidding? I thought that John's tone on stuff like "You Better You Bet" and "Eminence Front" was the best he ever sounded! :D

Then again, I'm a prog guy, so I guess I might be a bit biased.

Speaking of prog, I HATE Chris Squire's tone on 90125 and Big Generator. I don't have a lot of love for the Tormato tone either, but it's listenable, and interesting. I just wish he wouldn't have used it for the whole album.... As much as I love Yes and Rush, even these two progressive giants and bass pioneers had some sucky tones back in the day.
 
I didn't mind Chris Squire's sound on 90125.

The 80's Journey sounds from Ross Valory were memorable, not exactly my cup-o-tea, but very upfront and (for the time) modern. Give him credit.

But, to be honest, I've personally "borrowed" a lot of bass stylings from a LATER Journey bassist, Randy Jackson. Lotsa tasty bass licks on "Raised on Radio."

Korn/Fieldy... don't get it.

Jaco, I get it, but don't like it.
 

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