I'd rather work for "Susie Sunshine and The <CoolBandNameHere>" ... she gets her billling, the band gets its billing ... and should the two ever separate no sweat no foul, they keep their names.
Now that makes a little more sense to me. Thanks to everyone with their feedback so far, it seems most people "tend" to look at this the same way I do.
Perhaps some more clarification can help drive the discussion. I'm paying money to rehearse in someone's basement (not a rehearsal studio), when I could just as easily use my garage for the same purpose and I wouldn't have to drag all my gear around every week.
Like I said, her voice and look are decent but she's not a "game changer" or anything like that. I have played with younger/better looking/better voiced women in the past and always ran with a band name.
I look at this as we are doing her originals, so for me this is like being in a cover band where I haven't heard the songs before.
I think the biggest mental block I have is when I join a project, I go full force and put a lot of time into promotion and band operations, so I look at this as I'm only promoting the lead singer, as opposed to the "band".
