Sorry, just not going for it. As per ASCAP, the fee covers them.
Im not denying how the current legal setup works.
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Sorry, just not going for it. As per ASCAP, the fee covers them.
That is correct. I believe a sticker (signifying the fee was paid) is usually placed on the jukebox somewhere in case an ASCAP rep sneaks in to check on a venue.I believe that the venue, lets say in this case a bar or a pub, also has to pay those ASCAP fees if they have a jukebox or play CDs. It covers all "performances" and public playing of ASCAP artists.
I believe that the venue, lets say in this case a bar or a pub, also has to pay those ASCAP fees if they have a jukebox or play CDs. It covers all "performances" and public playing of ASCAP artists.
Do you think it's going to change?Im not denying how the current legal setup works.
I wonder how many clubs and bars actually pay ASCAP anyway.
MatticusMania said:I believe that the venue, lets say in this case a bar or a pub, also has to pay those ASCAP fees if they have a jukebox or play CDs. It covers all "performances" and public playing of ASCAP artists.
I wonder how many clubs and bars actually pay ASCAP anyway.
I'd venture to say a good % of them do. A $1200 yearly fee is nothing to a club that stands to make 2x's-3x's that in one night! I'm sure they'll gladly pay it especially if they have really good bands playing there!I wonder how many clubs and bars actually pay ASCAP anyway.
DWBass said:Do you think it's going to change?
No, that's not what I said. The venue, in most instances, pays the money. But the performer can take it upon themselves to submit their set list so the PRO can distribute funds accordingly. As of now, the scale used is based on radio play and album sales. How often do you hear "Mustang Sally" on the radio? How often do you hear it covered by a band?
It didn't happen in Reno.
Not for a bar/club. It's the same.That's a different type of license and separate rates from a live performance license.
I have no stats on that, but I would hope they do. I read a story once, not sure if its the article linked previously, about a bar being fined pretty heavily after refusing to renew their license and having a coverband play. Though, Id imagine, as previously said, that it would not be easy to enforce.
I agree but don't you think ASCAP would have been on this by now? This is not a 'new' argument!Not if no one cares. As musicians we all have a stake in protecting the value of music.
whocaresnotme said:Are you appealing to us as a composer yourself or is this an altruistic effort? So WE should sacrifice the little bit of cash we extract from various venues on any given weekend so you and other un-named musical artists can get paid every last nickel they are owed? If you have a dog in this fight you should probably recuse yourself. Don't you think?
Do you think it's going to change?
Somehow I knew you were going to say that. It doesn't matter whether this one example that I found rather easily through a Google search took place in Reno. The federal courts have jurisdiction over claims of copyright infringement, and ASCAP can and does file infringement actions against bars that refuse to obtain licenses.
OK, OK, you win. But within this specific example that doesn't mean anything. They didn't pursue it, so what. I am sure that has happened a lot too. They probably busted a casino or 2 that weekend and they are a bigger pay off for "legal" extortion.
How many different ways do you want me to say it? You don't pay any money. The venue pays the money. You just tell the PRO who should get the venue's money. Again, you do not pay anything (unless you are hosting your own shows at an unlicensed venue, in which case you should pay).
Legal extortion? Please explain