Mine aren't that astonishing compared to you guys. None of these are in any way avante garde. 1) Upright bass and voice; I was scared of this one. I wasn't sure I was going to be able to pull off a 4 hour standards gig with bass and singer but it worked; quite well actually. 2) Bass and spoken word. 3) A good one was spoken word, bass, harmonica and percussion.
As an aside, the harmonica player in that group was insanely good. I met him at an open stage in Pittsburgh in the early '90s. My ex-wife, who was both an exceptional singer and poet, and I would sometimes go to open stages which were pretty ubiquitous in Pittsburgh in the early '90's and sing a couple of songs (well, she sang, I just accompanied; NO ONE wanted to hear me sing). Anyway, we were about 13th on the list to go on and were hanging out listening to the amateur strummery (where just everybody comes up and plays American Pie with the wrong chords) and I'm losing my mind because I'm a music lover and, really, there wasn't much of what you'd call actual music happening. Not that I expected a lot, it was an open stage after all. About the 10th act in, the MC announces that Danny Kaplan was going to play unaccompanied harmonica. At this point, I thought I had entered a lower ring of Hell. Solo harmonica?!? Good god. Could it get ANY worse?
He comes up, sits down and starts to play and the clouds parted and the sun shined through, choirs of heavenly angels start singing etc. He was just amazing. A true virtuoso. He wasn't a jazz guy but he had the same mindset and chops of a jazz guy. On harmonica.
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