The true artist will make any instrument sing.well, yeah...
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The true artist will make any instrument sing.well, yeah...
I have to agree. I've owned some pretty pricey Basses in the past but they're all gone. What remains are 4 Basses, none above $1000 and 2 $500 or less.I thought that the principle of diminishing returns in bass buying was common knowledge?
I estimate that you will find a bass for any application in the $400-$999 (new) bracket that will be perfectly fine.
This will include:
* A good sound in the mix
* Solid, reliable and hum-free electronics
* A straight neck with a decent, well playable setup
* General reliability (tuners will keep the bass in tune for the entire gig, no parts will randomly fail or fall off etc.)
* A well made, well balanced instrument with a decent finish.
Things that don't impact on the sound as hard as some of us wish, that will most likely not be found in the three figure range include
* Fancy top woods
* Handmade in the US/Europe
* Any kind of 'woodporn' where multiple layers create something that is beautiful to look at
* A super high quality finish on everything from the output jack to the tuning pegs, ESPECIALLY on those bits that do not really matter
With a player with a neutral attitude and a decent amp setup, It will be hard to distinguish a well picked bass from the $400-999 bracket from a $5000+ bass in a blind test.
But ask the janitor which car they'd rather have. Then ask the boss if he could do the janitor's job.In other news, the boss drove a $100,000 car to work today and the janitor drove a $700 car. They both arrived on time.
I thought that the principle of diminishing returns in bass buying was common knowledge?
I estimate that you will find a bass for any application in the $400-$999 (new) bracket that will be perfectly fine.
This will include:
* A good sound in the mix
* Solid, reliable and hum-free electronics
* A straight neck with a decent, well playable setup
* General reliability (tuners will keep the bass in tune for the entire gig, no parts will randomly fail or fall off etc.)
* A well made, well balanced instrument with a decent finish.
Things that don't impact on the sound as hard as some of us wish, that will most likely not be found in the three figure range include
* Fancy top woods
* Handmade in the US/Europe
* Any kind of 'woodporn' where multiple layers create something that is beautiful to look at
* A super high quality finish on everything from the output jack to the tuning pegs, ESPECIALLY on those bits that do not really matter
With a player with a neutral attitude and a decent amp setup, It will be hard to distinguish a well picked bass from the $400-999 bracket from a $5000+ bass in a blind test.
I'm starting to if maybe tone isn't in the BBQ sauce.
In order to syncopate, you must first marinate!
I have to agree. I've owned some pretty pricey Basses in the past but they're all gone. What remains are 4 Basses, none above $1000 and 2 $500 or less.
I'd be proud to and do play all of them on stage.
I totally understand and it's nice to have those choices. I hear your passion.I own, play and love some specimen that exceed the $1k range myself.
I like the woods, the workmanship, the looks and the feel of these basses. The tiny gimmicks.
I like basses made from local woods, carefully selected and stored for a decade, by local luthiers that do not just make another bass to sell, but work with passion and the goal to create something that is as much beautiful as it is functional.
I don't mind at all that they cost a small fortune, if you consider the work and materials that went into them, the prices are often quite fair.
The one thing I have no illusions about, however, is that I don't NEED them. I could just get a decent used bass for six hundred bucks that was CNCed in the far east and play just as well, loose maybe a fraction in sound - which usually is the fraction that gets lost in the mix anyway. If I had to, I'd be good with one of those.
Agreed. How many of us are or aspire to be soloists? We are predominately ensemble players.
To be honest, I've not heard many bass solos that say anything to me. But the power of the symphony belongs to us.
...or what it suggests: