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You're maybe not gonna like this...

You can have $5000+ in your complete bass setup and sound mediocre if that is the skill level at which you play, or you can be a 20+ year veteran and sound awesome (or at least as max amount of good you can on the setup) with a $500 setup. We've heard about it and seen it before, gear snobs are typically all for name brands instead of what exactly they need to or should use. Now everyone has favorite brands they just grown accommodated to liking however it's really a to each their own and in the end it's whatever feels good in your hands, what sounds the best to you, what options the gear provides you and what you can afford.
 
You sell me an old bass with rusty strings for $20. I put straplocks on it (all my basses have strap locks). It's a $50 bass. I put some new strings on it (I wouldn't play old rusty strings with who knows what crawling all over them). It's a $75 bass. If I like it, I buy a decent soft case to protect it. It's a $225 bass. Oh, a strap. It's a $255 bass.

And I haven't even begun to put the hardware I like on it. Or pickups. It'll be $500 easy by the time I'm done.
 
I thought that the principle of diminishing returns in bass buying was common knowledge?
I estimate that you will find a bass for any application in the $400-$999 (new) bracket that will be perfectly fine.

This will include:
* A good sound in the mix
* Solid, reliable and hum-free electronics
* A straight neck with a decent, well playable setup
* General reliability (tuners will keep the bass in tune for the entire gig, no parts will randomly fail or fall off etc.)
* A well made, well balanced instrument with a decent finish.

Things that don't impact on the sound as hard as some of us wish, that will most likely not be found in the three figure range include
* Fancy top woods
* Handmade in the US/Europe
* Any kind of 'woodporn' where multiple layers create something that is beautiful to look at
* A super high quality finish on everything from the output jack to the tuning pegs, ESPECIALLY on those bits that do not really matter

With a player with a neutral attitude and a decent amp setup, It will be hard to distinguish a well picked bass from the $400-999 bracket from a $5000+ bass in a blind test.
I have to agree. I've owned some pretty pricey Basses in the past but they're all gone. What remains are 4 Basses, none above $1000 and 2 $500 or less.
I'd be proud to and do play all of them on stage. What are they?
2004 Fender American P $729
2011 Fender Highway One J $689
2016 G&L JB2 tribute $389
2017 Fender MIM P bass $500
All quality instruments. I did do a bit of hunting for them but they're out there and they are negotiated prices, not MAP.
To be fair, a comprable American STD P Bass would put me over $1000 by a couple of hundred.
 
Yep. You get what you pay for.
Although this isn't a very good comparison since it relies on one tone and doesn't get into quality at all. A lot of what you are paying for in a higher quality instrument is one that isn't going to fall apart, is easier to play, can be easily adjusted, and isn't a boring carbon copy stamped out on a Asian assembly line.
But point made: a $20 bass with bad strings sounds like @$$.
 
I thought that the principle of diminishing returns in bass buying was common knowledge?
I estimate that you will find a bass for any application in the $400-$999 (new) bracket that will be perfectly fine.

This will include:
* A good sound in the mix
* Solid, reliable and hum-free electronics
* A straight neck with a decent, well playable setup
* General reliability (tuners will keep the bass in tune for the entire gig, no parts will randomly fail or fall off etc.)
* A well made, well balanced instrument with a decent finish.

Things that don't impact on the sound as hard as some of us wish, that will most likely not be found in the three figure range include
* Fancy top woods
* Handmade in the US/Europe
* Any kind of 'woodporn' where multiple layers create something that is beautiful to look at
* A super high quality finish on everything from the output jack to the tuning pegs, ESPECIALLY on those bits that do not really matter

With a player with a neutral attitude and a decent amp setup, It will be hard to distinguish a well picked bass from the $400-999 bracket from a $5000+ bass in a blind test.

Totally agree. 500-1000 (new price) to me is the workhorse range. You get everything you need just not everything you may want perhaps.

MIM Fenders, Epiphone or Ibanez make a ton of great options in that range. Right now I only own G&Ls for electrics and I still feel that way. I just wanted some stuff my way and was willing to pay a bit more for it.

Some boutique prices are steep for me though. It would be hard to justify for the return on investment, and I’m factoring in my own happiness as well as ergonomics in that.
 
I have to agree. I've owned some pretty pricey Basses in the past but they're all gone. What remains are 4 Basses, none above $1000 and 2 $500 or less.
I'd be proud to and do play all of them on stage.

I own, play and love some specimen that exceed the $1k range myself.

I like the woods, the workmanship, the looks and the feel of these basses. The tiny gimmicks.
I like basses made from local woods, carefully selected and stored for a decade, by local luthiers that do not just make another bass to sell, but work with passion and the goal to create something that is as much beautiful as it is functional.

I don't mind at all that they cost a small fortune, if you consider the work and materials that went into them, the prices are often quite fair.

The one thing I have no illusions about, however, is that I don't NEED them. I could just get a decent used bass for six hundred bucks that was CNCed in the far east and play just as well, loose maybe a fraction in sound - which usually is the fraction that gets lost in the mix anyway. If I had to, I'd be good with one of those.
 
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I own, play and love some specimen that exceed the $1k range myself.

I like the woods, the workmanship, the looks and the feel of these basses. The tiny gimmicks.
I like basses made from local woods, carefully selected and stored for a decade, by local luthiers that do not just make another bass to sell, but work with passion and the goal to create something that is as much beautiful as it is functional.

I don't mind at all that they cost a small fortune, if you consider the work and materials that went into them, the prices are often quite fair.

The one thing I have no illusions about, however, is that I don't NEED them. I could just get a decent used bass for six hundred bucks that was CNCed in the far east and play just as well, loose maybe a fraction in sound - which usually is the fraction that gets lost in the mix anyway. If I had to, I'd be good with one of those.
I totally understand and it's nice to have those choices. I hear your passion.
 
I recently acquired a Lakland 55-94 Deluxe after selling my 55-02 Deluxe. The 55-94 costs around 4000$ the 55-02 around 1600$.
The tone is 80% the same. however, huge difference in terms of quality, craftsmanship, finish attention to detail.

What I'm trying to say is tone is just a very little part of the price. The rest is mainly the finish and fancy options.
Pretty much like a car. Some love high end cars, others don't care about it and are fine with cheap cars. In the end you start form point A to B the same way.
 
I had own a very cheap bass when I started (Harley Benton) and I had no complains about its tone. But I had complains about everything else. Quality of components (tuners bending, screws falling off while playing), neck diving (in a Jazz model!! it was due to the neck being of wood and the body of only God knows what), playability, etc...
Also, I have some guitar player friends who own cheap basses just to fiddle around, and those issues are also present.
Of course, in a video you can not feel all that issues.
And I need to say that the difference in tone exists and it is remarcable when I play them, but it is not the main issue with super-cheap basses. The main issues are about construction, reliability and playability. Tone issues could be improved with strings, pickups and electronic upgrades. Construction and playability issues are harder to fix.
 

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