NBD - Custom Shop 62 Precision: Wildwood 10 Edition
- Basses [BG]
- 12 Replies
They produce awesome guitars too.What’s Wildwood 10 ?. The grain’s a little wide but perfectly quartersawn.
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They produce awesome guitars too.What’s Wildwood 10 ?. The grain’s a little wide but perfectly quartersawn.
Interesting thought! In terms of a general observation I would say that many manufacturers are reprising legacy sounds and feel in the new smaller, light weight technologies because we did have some good playing rigs back in the day.New heads are lighter, more powerful and have more features, but do not sound better to my ears, at all.
Maybe an effort to counter neck dive? Maybe to accommodate some feature on the machine heads?View attachment 3844091 These CNC holes popping up in hidden places is getting out of control.
This just came up in the Fender Aerodyne thread. How would you like to pull the tuners off, in order to replace with something lighter, and see this.
In what way does it sound different than the SB Standard Basses?As you mentioned above the Les Paul Jr Tribute DC sounds like the ticket. The "P" bass location of the pup is a big departure for Gibson and it is an incredible sounding instrument. There is a push/pull coil tap on the volume control and it really adds tonal variations to a single pup bass.
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The Gibson EB-11 is another bass worth looking into. Only built as a limited edition back in 2011 but can be found in the 1400.00 to 1500.00 price range. It has the same electronics of the SG Standard bass but sounds very much different. I have both the SG Standard and the EB-11 so this is not just an assumption. It took me a couple of months for me to find this one but, well worth it. The Pelham Blue is to die for IMHO.
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A " Les Paul Double Cut" would be the proper terminology for this body style IMHO.
Sorry to hear that! Get well soon!I had a mild stroke last February, affecting my right hand (I'm right handed). My plucking technique is mildly compromised, manifesting in slightly laggish timing, and loss of ability to play quick 16th notes. Does anyone out there have experience with this, and exercises to share? Thanks a dillion in advance!
Frunk. Surprising how much you can fit in there.But where did you put the groceries?
Weren’t those old PRS 4- and 5-string basses called the “Curly” model?
…or was that only the ones with a translucent finish?
Nice! Have you been in the shop before?Sugi is located just up the street and a right turn from Fujigen.
Did the rewind resolve the problem?Just wanted to drop in and say I've come across this issue today, and after much scouring of the internet it appears the solution is a rewind. According to some comment, the reason you still get weak output with no bass is due to continuance.
I've sent the pickup off for a rewind and will try to remember to post back.
For a quick overview of what I did to discover this:-
Neck pickup unusually thin.
Re-wired wiring harness, all new pots, wiring, and solder. All joints nice and shiny. Still low output.
Direct to jack, had a more full sound.
When testing ohm resistance 20k, received 0.L (infinite resistance)
Contacted my pickup guy, confirmed it needs a rewind.
Hopefully this helps somebody who comes across this thread.
These are exactly what I'm looking for can you send me the 3d printing file so I can print some?! Thanks SO MUCH!I also 3D printed these simple thumb rests. They work great and are hardly noticeable - they blend right in as if they're part of the pickup. They're printed from a rubber material called TPU. They're not perfect, you can see the lines from the printing in them. But from 2 feet away they look great! I love them. If anyone has one of these basses and wants a set of thumbrests, let me know and I'll print you a set.
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I was referring to the two pedals + the rackmount. According to the the breakdown posted after my question the rackmount is doing the basic toneshaping and the pedals are acting as boosts.The black pedal is his signature chorus...