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Fender 215 Pro series cab

g'day guys,

there's been a bit of interest in the new Pro series Fender amplification. For those who don't know, the 215 Pro is a ported 2x15" + horn cab (with tweeter attenuation), 800 Watts RMS / 4 ohms.

I'm increasingly becoming a fan of old-school tone, so I ordered one on April 1st. It came in the next day, so far I've only had about 20 minutes instore with it, so here are my initial thoughts.

Although I'll eventually be getting a TB-600 head, all we had in the shop was the current Bassman 250 head to test it with. I dialled the tweeter totally off, plugged in a USA Standard P & let it rip.

In a word: beautiful. Plenty of highs even without the tweeter, and bottom end to die for. Like a bass should sound, if you listened to any music from the 70s. Rolling off the P's tone knob all the way gave a monstrous woolly dub sound, something I'm looking forward to doing at gigging volumes!

Dialling the tweeter to half way, and hitting the P's S1 switch gave me a nice slap tone - not razor sharp, but definitely slap. Not what I got it for, but I just figured I'd make the point that these are nowhere near as one-dimensional as many people would make out. A little bit of hiss came out of the tweeter (I was sitting right in front of it), but my Goliath Jr II was much worse for that before I disconnected the sorry thing.

So, the big test: getting it out of a suburban shopping centre, into my car (a compact Toyota Corolla station wagon) & out again into the garage at home. No worries: the tilt back casters run nice and smooth, and the handles are at just about the right height in transit. I was able to wheel the cab down a long ramp without much effort and no sense that it was about to get away from me.

Getting it into the car was MUCH easier than my old Trace Elliot 1248H due to the slide rails on the back. Just edge the cab up to the back of the car, crouch down and lift/tip (with a straight back!) and it'll go over nice and easy. There's handles on the bottom that make it a piece of cake to maneuver. If I turn mine sideways when I put it in, it fits perfectly behind the rear seats. Getting it back out was even easier.

10/10 for designing this thing to compensate for the weight - moving that old Trace around was absolutely terrible in comparison. I am SO looking forward to getting this into a jam room, or better yet, out on a gig - further reviews when I do!

Can't wait to get my hands on a TB-600 head, for that matter :)

c-
 
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I have been able to spend some time with both the 610 Pro and the 215 Pro. The build quality and apparent durability are very, very high. These things are made to take a beating. They are quite heavy, though, but they do have handles/wheels/protection in all the right places.

Tonally, they are both very big, deep, powerful, and clear. The 610 is not as punchy as some 6x10's, but more open and clear. Really good stuff, though of course, not for everyone. The heads (and the TB 600C combo) are also really well made, high-performing products, IME/IMHO.

Tom.
 
What exactly is a " diamond plated kick plate" ?

A steel plate on the back of the cab, near the bottom, that you put your foot up against when you tilt the cab back to roll it on the casters. There is a raised diamond pattern on the steel to give it some texture.

Here is a shot of the back of the 610:

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Tom.
 
My back is hurting already, but it does look like a beautiful cab. Wonder if neos are an option? Also, I'm wondering if, when laid on it's back, the attenuator dial is recessed enough to not come into play when shoved in the back of an suv.
 
My back is hurting already, but it does look like a beautiful cab. Wonder if neos are an option? Also, I'm wondering if, when laid on it's back, the attenuator dial is recessed enough to not come into play when shoved in the back of an suv.

The I/O panel is totally recessed, so the dial is in no danger.

In regards to the weight of the cab - I'm a little guy, at around 68 kg / 150 lb, and I can handle it no worries at all :)

The handles on the bottom are spring loaded & retractable.

c-
 
Fender has really made some giant steps foward in their bass gear since they acquired SWR.
The new "pro line" Fender bass amps I've been able to play through have been great sounding.
I'm just wondering how Fender's latest price increases are going to affect sales on their new amps.
Tom, really looking foward to your review on Fender's 610.
 
Bought one recently and it's the best cab I ever had! What an amazing sound does this thing produce.. massive low-end, clear mids and highs and even a usable tweeter (although I don't need it)

And the best thing is.. it doesn't lose that classic rocktone that I love..

I used quiet a few cabs (Hartke 4.5XL, Ampeg 810e, Ampeg 810 straight back, Ampeg 410HLF, Peavey 2x15", Peavey 1x15" just to name a few), but this one knocks em all out...

Love it!
 
I went for the 215 Pro. I love it.
And I even have a Bassman 250 and USA P Bass with the S1 switch
as described in the very first post in this thread. How weird is that?
What are the odds of encountering two identical setups on
opposite sides of the planet?

IMG_5465s.jpg
 
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