1-2-4?

I use 1-2-4. Adam Nitti taught me that way. It's what he uses, most of the time. I still use the third finger. Only in certain passages though.

 

Generally 1 2 4 means you use the pinky instead of the ring finger. Some people use the two fingers (3 and 4) together for more strength. My personal feeling is that it's not that important on electric bass where the notes are closer together (the primary reason 1 2 4 is taught for double bass is that the longer scale length puts the notes far enough apart that it can hurt your hand to play say Bb on the A string with your first finger, and then G# on the E string with your pinky all by itself.

jte

 

just wanted to say, i admire your wealth of knowledge it's truly inspiring.

-- john

 

I would think of 1-2-4 as a way to finger 2 whole steps in a row on one string I always call it "stretch 2" as you strech your 2nd finger a whole step.

 

On an electric bass, you should be able to reach the fourth fret by shifting the fingers without moving your thumb.

I have large hands, and prefer one finger per fret. I don't think there is a best way, just a best way for you. Some basic principles still apply, for example, I would recommend to everyone that they need to get used to playing in position, i.e. not moving your hand up and down the neck, but, rather, move it up and down the strings, thus creating only like a half dozen spots your thumb will ever rest.

But, whether you use one finger per, or 1-2-3, or 1-2-4, well, whatever suits your hand, really.

 

1-2-4 Is the typical fingering pattern used in double bass (unless you follow Billé). It tends to be simpler for some converts, not changing the style a whole lot...

 

Strictly speaking, yes.

I think a common misunderstanding about 1-2-4 is the idea that you're stuck with the fret under your finger.The fact is that my hand can move enough to reach that 4th fret with my pinky (of course supported by 3 other fingers) when ever it's needed. A side effect of this is that you can't describe a scale pattern too accurately by simply saying which finger plays which note. If I were to be totalitarian about my 1-2-4 fingering a minor scale would be played 1-4-4 /1-4-4 /1-4
with the 4th finger (again, actually all 4 fingers down for support) doing double duty on the 2nd/min3rd,and 5th/min6th.

In reality I tend to use 1-2-4 when playing below the 5th fret, but on an electric bass guitar I will usually finger a minor scale in more like 1-2-3-4 anyway. But honestly, when playing i am only thinking about 2 things:
What NOTE am I playing?
Is my left hand comfortable?
I could care less what finger it takes.

being a monster in a four fret box may have its uses, but efficiency of motion is only one ingredient of technique, You could finger your notes in any number of "wrong" ways and not hurt the music. Just Google Django Rhienhart if you don't believe me.

 

You do the same thing you do when you're covering 4 frets and need to get to a fifth fret and move your hand. Music isn't scales. You rarely have to cover 4 frets all the time so there's no point keeping it stretched. It's not one or the other, it's both at the same time, or more accuratly, switching between both seamlessly.

 

On DB, I would finger a minor scale like so (using 1-2-4)
R--1
2--2
3--4
4--1
5--2
6--4
7--1
R--4

Or depending on the scale I would play an F# natural minor scale like this

F#--1
G#--4
A---0
B---1
C#-4
D---0
E---1
F#--4

Personally I don't use either fingering system exclusively on BG. I probably use 1-2-4 more in the low register unless I'm sight reading and I need to keep my reaction time down. It's all a matter of what passage I'm paying at that moment/beat/where I'm going

 

I'm sure this is true for some people, but for many people, that stretch is simply not possible - certainly not in my case.



I am primarily a double bass player, who took up bass guitar as a second instrument. As such, I just moved my fingering system straight over from the upright, so I just use the '1-2-4' system. However, even if I was not a double bassist first, I might well have ended up using this system as I have relatively small hands and I can't do the '1-finger 1-fret' thing below the 5th fret, and even above the 5th it's uncomfortable.



As far as a harmonic minor scale goes, my fingering pattern would be this: 1-2-4-1-2-4-1-2

Start one the one, then move up a fret to do the 2 and 4, then up a string and back a fret for the 1 again, then up a fret for the 2 and 4, then straight across for 1 and 2. Back down the same way.

 

That's really odd, because I do the 1-finger 1-fret thing, and sometimes I even do a 5 fret reach, and I have the smallest hands of any male I've ever met (and no, the myth isn't true, ladies ). Between proper positioning and pivoting slightly with your thumb, I believe anyone can do it.

 

Can you stretch from the first fret to the 5th fret? Because I just tried and there is no way that I can do it, no matter what position my hand/wrist/arm/anything is in.

 

I started on upright bass in the 60's, and at that time we definitely learned to use all 4 fingers. I still use all 4 when needed, although I admit that I get lazy and use 1-2-4 much of the time. 1-2-3-4 never hurt me on the upright, so it darn sure won't hurt me on the electric bass. After playing upright, it's possible to span all four of the bottom frets with one hand, and that provides one finger per fret.

Perhaps the upright teaching technique has changed and 1-2-4 is common now. I grant that pressing the string with the 3rd finger on an upright requires a fair amount of hand strength.

The average hand cannot stretch enough to span from frets 1 to 5, but it can span frets 2 to 5 - just move up one fret.

 

I can't hold it a long time, but I can do a 5-fret span in 1st position. When I use it while I play, I will often pivot just a tad with my thumb to keep it from being stressed, but my hand can make the reach no problem.