- May 1, 2014
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- Owner Melodious Resonance Constructs
Can I axe you a few questions? What kind of neck profile are you thinking of? Are you going to keep the blades that thick?
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Can I axe you a few questions? What kind of neck profile are you thinking of? Are you going to keep the blades that thick?
Whoops! My memory is not as sharp as it used to be.There was a few posts back on page 2, post #37, when it was suggested to do an Aerodyne type profile on the body. I'm thinking about the jig/tool that will facilitate that.
Whoops! My memory is not as sharp as it used to be.
I think the mahogany neck will be fine, especially with a truss rod. On The Panther, I carved the sapele neck (very similar properties to mahogany) down to a medium girth, strung it up, and the neck deflected so little that the truss rod was unnecessary. So I carved it down a good bit more, to my preferred profile (asymmetrical wide/thin). And you know what? The truss rod still is very nearly unnecessary! I'm thinking that might have been due to the nice thick mac ebony fretboard too, though. How thick will your fretboard be?
Mahogany is soft compared to hard maple, but very rigid. You shouldn't have trouble there.
This fretless neck is Honduran mahogany.
http://i223.photobucket.com/albums/...ow-paradigm-sc/096_neck_assy4_zpsyiunlgi9.jpg
Doesn't bend a bit when I put the spurs to it.
Otherwise you will lose your edge.I guess the only thing to do at this point is to keep our nose to the grind stone...
I'm thinking it'll be somewhere between 3/8" and 1/2". I have to measure the scrap I have to be sure.
I'm consoled somewhat that Gibson makes guitars and basses out of mahogany, though not when I see the headstock break. I'll hope for the best.
Otherwise you will lose your edge.
Wow, that's REALLY THICK for a fretboard. Mine from LMII is a full 1/4", which is plenty thick...
Those headstocks don't break due to the wood they're made out of. They break mostly because of the large amount of wood that's removed to accommodate their antiquated truss rod/nut, and it's aggravated by not having a volute and not having a scarf joint (excepting the instruments that do have these features, obviously).
You'll finish your axe before I can start my own project![]()
I had a bit of a head start, and for some reason, I'm looking forward to playing this crazy thing.
I was thinking about the body taper, and started playing around in Illustrator. This is with a 50" radius curve at the top and bottom:
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Looks about right. I'll have to start thinking about a jig.
Perhaps I missed it, but have you considered putting the darker fret lines where the markers would go? The 3rd, 5th, 7th, 9th, 12th fret positions and so on. This would maintain a look somewhat simillar to the original while still being useful.
Another option would be to move the lines as close to the original as possible while still being in tune. I think that would be something like the 2nd, 5th, 8th, 12th, 16th, 18th, 20th and 23rd fret positons or something, based on that left handed image earlier in the thread. What a trip to play on that! Then again I guess they are in different positions in other episodes.
I am dyeing to see how that turns out!My current plan is to used dyed black laminates to fill the fret slots on fret location 3, 5, 7, 9, 12, and so on, and either natural or red dyed laminates on the others.