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12th fret neck attached strap button?

Here's the strap button extension plate I fit on vintage Ampeg Devil Basses. It's an aluminum plate that goes on in place of the original rear cover plate, clamped by the four neck attach screws.

The strap button is quite close in to the neck, out to the bass side, and is on the front side of the plate. This position actually works very well geometrically and ergonomically. Your thumb doesn't hit it when playing up high.

On a new design bass, you could locate the strap button like this, but attached to the neck. Assuming that you designed a good reinforcement/attach point into the neck structure.

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I think he is suggesting on the side of the neck which would only impede if you wrap your thumb around the neck (which you shouldn't do anyway). i think it could work well for some problematic body styles.

For those of us with huge hands , you kinda have to wrap your thumb around the neck - if I put my thumb on the back of the neck, my hand gets all cramped up.

My hands are big enough that I can actually fret the B string on a 5’er with a wide neck, and still have space between my hand and the back of the neck. Ergonomic rules have to be personalized to make sense.
 
Please don't make me decipher tone through the written word; I have no choice but to err on the side of caution. Also, please remember rule 1 which we all agreed to when we joined TB, that of respect.

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So, I have a question that has bugged me for a while.

A lot of people suggest making the body big enough (if it's a single cut) or making the horn long enough (if it's a double cut) to support having a strap button at the 12th fret's location.

I understand the reasoning for this, but I am wondering why nobody is suggesting to simply add an extension to the side of the neck, such that there's a protrusion at the 12th fret, and a strap button can be attached there?

This would make it possible to have a perfectly balanced thunderbird or similar design of a bass.

Thoughts?

What would be the main risks/problems associated with this?

actually just getting to the 14th fret may be enough

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I make extended strap buttons for all my basses by putting two Dunlop Straplok buttons and a couple of washers together with epoxy and shrink tube. I don’t think it would help much on an Explorer, but on Precision and Jazz style bodies, it moves the strap attachment point well past the 11th fret and makes quite a difference in how a bass balances on a strap.
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So, I have a question that has bugged me for a while.

A lot of people suggest making the body big enough (if it's a single cut) or making the horn long enough (if it's a double cut) to support having a strap button at the 12th fret's location.

I understand the reasoning for this, but I am wondering why nobody is suggesting to simply add an extension to the side of the neck, such that there's a protrusion at the 12th fret, and a strap button can be attached there?

This would make it possible to have a perfectly balanced thunderbird or similar design of a bass.

Thoughts?

What would be the main risks/problems associated with this?
They do it. It's called single-cut bass.
 
Why does anything have to stick out at all? It could be a metal anchor point recessed into the side of the neck. Whatever strap you're using could have a short adapter that attaches to it... Button on one end. Clasp that hooks on to the anchor point on the other end. All of it could look really discreet if done correctly.
 
My Jazz Bass has one on back of headstock but I have never used it! ;)

It was known as a "Hootenanny" peg - not a lot of players used them, but it was an option until the late '60s.

Fenders Freddie Tavares making use of the Hootenanny peg.
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Bottom line is that any bass that needs such an extension to balance correctly is essentially not a functional design. (to put it in didactically) However, some of those ill-designed basses play/sound really good... so it's worth compensating. :bassist: (to a point) ;)