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Check out Bill Fitzmaurice cabs.I have a BFM 2x10 that seems to do it all and certainly stands up to most 4x10s
We (you, me, anyone) can call the F210 whatever we want. It's a super, usually single box, solution if someone doesn't want to do 15s (although 15s, the really good'ens that is, are the way, the truth, & the light for meSure, it has two 10s in it, but I'd call it a 210/5/T. It also costs $456 more than a CN210.
As far as potential SPL, volume, & displacement, the F210 is e-a-s-i-l-y superior. Not a horserace.Loudness in the current context is pretty subjective.; one person's "heck loud" is another person's "sounds like a mouse fart".
The OP appears to be looking for a 2x10" cabinet which has the ability to go louder than his current 2x12". Given the laws of physics, that is a pretty difficult task. From the cabinets discussed thus far, the FEARLESS F210 looks like the only one which might be able to surpass a 2x12" for maximum SPL. Additionally, I think that the OP may not have understood that the dispersion of a vertical 2x12" is superior to that of a typical 4x10" cabinet.
, it looks fabulous & is an absolute flyweight (likely ~30 lbs.). I have two Jack Lite 115s squarely in my sights That CN210 rocks. Definitely next cabinet if GAS strikes
I don't dispute that the F210 is a great cab. While I've never even seen one, it gets great press here at TalkBass, and that's golden. But the OP requested opinions on 210s, not 210+5+T.We (you, me, anyone) can call the F210 whatever we want. It's a super, usually single box, solution if someone doesn't want to do 15s (although 15s, the really good'ens that is, are the way, the truth, & the light for me).
As for money, I already addressed this. And the OP noted no cost restraints.
I strongly disagree with the opinion of the dealer you referenced. There was a customer at BSD yesterday auditioning a CN210 with an Epifani UL501 head and a 5-string bass. No shortage of volume or booty at all. The B string was full and clear down low. You owe it to yourself to try one. I used mine at my last gig with a Glockenklang Blue Soul and Sadowsky RV5. I ran gain and volume at about 10 and noon, respectively. I'll be using it at an outdoor gig next week (medium venue, not large). For bigger gigs I use the CN212, and have never been lacking for punch and bottom.Have you tried it? I have been considering auditioning one. I was told by a Berg dealer who been selling that cab, that it lacks booty as a stand alone for electric bass, compared to the CN212. He feels the CN210 might be a good standalone for upright. The paper specs sure are attractive, and 33 pounds is nice. I'm going to make a trek soon and check it out.
LOL. Should even better solutions not be mentionedI don't dispute that the F210 is a great cab. While I've never even seen one, it gets great press here at TalkBass, and that's golden. But the OP requested opinions on 210s, not 210+5+T.
There's a reason why I like a 15+6 better than a 15.LOL. Should even better solutions not be mentioned? And almost every 210 is a +T. Not many that aren't.
Yeah, me three.There's a reason why I like a 15+6 better than a 15.
I strongly disagree with the opinion of the dealer you referenced. There was a customer at BSD yesterday auditioning a CN210 with an Epifani UL501 head and a 5-string bass. No shortage of volume or booty at all. The B string was full and clear down low. You owe it to yourself to try one. I used mine at my last gig with a Glockenklang Blue Soul and Sadowsky RV5. I ran gain and volume at about 10 and noon, respectively. I'll be using it at an outdoor gig next week (medium venue, not large). For bigger gigs I use the CN212, and have never been lacking for punch and bottom.
I guess the best way to see if what you say has any credence would be to A/B them. Unsubstantiated doubt and paper specs would take a back seat to actual auditioning in any decision I would make. I missed the part where the OP said he was looking for better performance from the 210. I got the impression he was looking for a smaller footprint without a big sacrifice in volume.FWIW, I have a true 3-way fEARful 15/6/1 and have found that it is missing some fundamental below low E (41 Hz), although the first overtone is well represented. Somehow I doubt that the CN210 would be any better....
With regard to this thread, as I see it the OP is asking for suggestions for a 2x10" cabinet which will provide better performance than his existing 2x12". This is a task which could only be accomplished by a small group of extremely high performance 2x10"s (of which the F210 is a member). The sensitivity specification on the CN210 suggests that it will be even quieter than the OP's current 2x12" which is not sufficient for the task; in other words, it may sound wonderful, but does not appear to be a good solution for maximum SPL.
Nothing to be sorry about.... physics puts limits on how much fundamental a bass enclosure can produce. My fEARful does better at reproducing the fundamental than the vast majority of bass cabinets. My point was that even the 15/6/1 does not quite reproduce a full low B, so I would not expect it from a smaller 2x10" with less internal volume.... Sorry to hear about your fEARful.
You're not hearing the fundamental anyway, for the most part.Nothing to be sorry about.... physics puts limits on how much fundamental a bass enclosure can produce. My fEARful does better at reproducing the fundamental than the vast majority of bass cabinets. My point was that even the 15/6/1 does not quite reproduce a full low B, so I would not expect it from a smaller 2x10" with less internal volume.
I got the impression he was looking for a smaller footprint without a big sacrifice in volume.
Did you even look at the Jack Lite 210 or F210? If you don't like either, no prob. It's your bux. But they'll both put the 212 to shame.That's pretty much right..
I know a 2x10 won't out perform a 2x12 volume wise but I think I prefer the 10's, not sure why, I just do..
I find the 212 a bit too much sometimes for my needs in size as well as in volume. Usually run it about 11oclock And sometimes I have to have it even quieter as it shakes the feck put of some stages..
I have not looked at those. Was kinda the Point of the thread, to discover cabs I hadn't looked at and get advice.. The only reason I was lookin at the berg cn210 and Ea Nl 210 was because I knew one place that would stock them in the UK for me to try.Did you even look at the Jack Lite 210 or F210? If you don't like either, no prob.