Just get this and be done with it:
Warwick Custom Shop CORVETTE 9-String[GSB019] | Reverb
I play 5s n 6s. I looked at the 9 and just said, why!? Nice to look at though.
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Just get this and be done with it:
Warwick Custom Shop CORVETTE 9-String[GSB019] | Reverb
When I began playing bass, it was an el-cheapo Jay Turser 4 string P-clone that I picked up for $100. The pickguard was so warped that it touched the underside of the orange, fuzzy strings, not so gently, but the neck was dead straight. I gave it love. I cut the pickguard down so it just covered the essentials, cleaned up the electronic, gave it the first setup that it never received and gigged it for a decade without issue. I started pining for a 5 and decided to go with something special. I moved to the desert and the Turser was highly responsive to the radical changes in humidity and temperature which can occur daily. I felt bad for the truss rod, because it was being adjustment more and more frequently to compensate. I decided that a graphite neck bass would take a lot of variables out the equation and after finding out that Modulus has tanked, did my research and found out that Geoff Gould was still making basses. I tracked down a GGi-5 and bought it from the Bass Place online. I was not disappointed.
The Turser ended up going from presumed backup that never got played, to parts that never got used to yard art. The 5 became my main bass and it felt like home. 4's were no longer appealing to me. I played that 5 for close to a decade and loved every minute of it. Then the bug hit: I wanted to try fretless and I wanted to try that fretless as a 6. I had Geoff build a GGi-6 fretless for me and again was not disappointed. I love it. When I play, it feels like home, but part of me also enjoys playing fretted instruments. So...the idea of a fretted GGi-6 to compliment my fretless 6 emerged.
All of a sudden, I am starting to look at the 5 in the same way I looked at the 4, excepting that the GGi-5 is a desirable commodity and the Turser 4 was musical firewood. I am beginning to feel that the Rainbow Trout GGi-5 may have to go to make room for a new bass with another string. The Trout and I have had good times together. It has seen a truss rod upgrade. I have had a hand surgery. We are both improved, but I think I am hearing the call of something new. I am not usually one to have a stable of redundant things. To have a bass sit un-played seems criminal, especially when it is something so very sweet, but I am hearing the call of a fretted 6 companion to the fretless and I don't think there is any going back.
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Is it time to say goodbye?
Keep an eye to the classified and you might be able to help the situation of collateral reallocation.Yes, your 5 is now a useless piece of trash. Send it to me, I’ll dispose it for you.
Lordy, it turned out well. I've posted some photos, but I'll try for a fresh one tomorrow when I'm gathering photos of the 5.No, it never ends. As is well documented, we all end up a harpists
Well done, you're well on your way towards graduating to TalkHarp
Meanwhile... I agree that 6 is a good number. Would love to see how your fretless ggi6 turned out
To answer the question, it's really up to you OP. I would keep your 5 and tune it to another tuning. D Standard (DGCFBb) is a good one because it splits the difference between standard tunings for a 5 and a 6.
But for me, I'm very happy with my 4s. I learned how to play bass on a 4 and that's been good for me ever since. I have 2 in standard tuning, 1 in D Standard (DGCF), and the fourth one is my piccolo bass.
I played a 6 string Schecter in GC yesterday and it felt so foreign to me. The neck was so wide and my muting was awful! I tried playing the top strings (i.e. chords and soloing) and I kept hearing the low B and E strings rumbling out. So 6s are not my thing.
I've owned a few 5s in the past, but I never got on with them. I never really needed any note lower than a D1, but I like the idea of being able to hit lower notes on the B string in the middle of the neck. If I were to get a 5 string, I would probably tune it up a minor third to D Standard (DGCFBb) and that would be fine. Muting is the only problem that I would have to work on. But it probably won't be too bad with narrower string spacing (i.e. Ibanez as opposed to Fender / FSOs). That being said, owning another 5 string is a possibility for my future as long as I find the right one.
I've been enjoying playing roots with my left hand and then chords and riffs tapped with my right simultaneous, ala Bell Witch. It is tough on a fretless to have that sort of precision. I figure a 6 fretted would help clean things up, though I do love the sound of a baritone guitar in drop A.
No, it never ends. As is well documented, we all end up a harpists
Well done, you're well on your way towards graduating to TalkHarp
Meanwhile... I agree that 6 is a good number. Would love to see how your fretless ggi6 turned out

Does It Ever End?
Why Yes! Yes it does. It ends at 25.
And what's more, it's a happy ending
Once you hit 25, there is a subtle tremor in the fabric of the universe, and it rapidly returns to equilibrium:
25 to 6, to 4!!
I'm already looking at veneers and starting to think the companion may be a deep purple.That is rather magnificientLooking fowrard to seeing its fretted-twin, if that ever happens
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