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4 to 5...5 to 6...Does It Ever End?

I’ve owned two Conklin 7’s in the past. If I were to pick a final destination extended range bass, it’d be a 7. I sometimes tuned the C and F strings down a half step for guitar tuning. Worked pretty slick when the opportunity arose for comping.

That said, G. Gould is a great choice for a 6.
 
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Does it end?

No.
Not really.

I started on four in 1980
20 years later went to a five.
7 years after that I went to six and then temporarily a seven.
Then sold the seven and stayed with six.
Fretted and fretless.

Then I added a BTB six tuned in fifths.
Then added an eight.
The Four 2023.jpeg
 
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Sounds like you've had a good run with your 5-string.
I would probably go for the 6-string. Selling the 5 shouldn't be too difficult with that amazing trout finish.
If your experience is anything like mine the one time I tried a 7-string, I wouldn't worry too much about ever expanding string quantity.

I figure that it won't be easy to let it go, especially because I have a feeling it will go with expediency once I make up a listing for it. The hard part will be waiting for the new build to come to fruition. In the meantime, it looks like it will be a fretless 6 party, which doesn't sound all that bad to me. If/when I decide to jump, I'll probably list it here and on Reverb, but my hopes are that it is re-homed in this community so I can see some photos once in a while. I'll even throw in a half dozen spare sets of G. Gould hybrid tapered strings featuring that very bass on the front packaging!
strings-new.jpg

The only difference is that the rosewood fretboard was a casualty of the original truss rod failure. It has been since fitted with a beefier Gould truss rod upgrade and a black phenolic fingerboard which I think ties in with the hardware nicely.
 
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In my case? "It" never even started. There have always been 2 guiding principles in my life:
1. K.I.S.S., and
2. If it ain't broke, don't try to fix it...
The bass I learned to play on was a 4 string passive one. Everything I learned to play when I started in 1968, only needed 4 strings. Actually, a lot of it didn't really need that many... Today? The music I like to play, still only needs 4 strings - at most - and wouldn't sound any better, or play any easier, with 5.. or 6.. or 7... I can still play Jefferson Airplane's White Rabbit with only 3 strings now, just as easily as I did 50-some years ago. The only difference, is that the bass I play now is different - and, arguably, at least a little better - than the one I learned on...;)
But, that's just me. By all means; you do You. If your musical Journey to Happiness requires more strings on your bass than it has now? Well, then a new bass - with another string - is definitely in order. I certainly hope that you find the one that makes that journey a happy one...:thumbsup::thumbsup:
 
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Having spent years on a 4, years on a 5, and years on a 6, I've come to find that 5-string is home for me.

I love the versatility of a 6, but their weight and wide fretboards don't suit me too well. Okay, I had a Guitar Factory 6-string that was super comfortable for me to play (the neck was narrower than usual for a 6), but weighed over 12.5 pounds. Otherwise, it would have been a forever bass.

4's are fantastic and it feels great to fly around on them, but for a lot of the music I play, I need not only the low notes of a 5 but the fretted E so I can easily transpose without having to jump up and down to and from first position. That "Country Girl Shake it For Me" song by Luke Bryan is far more pleasurable for me to play on a 5-string because I don't have to do a whole bunch of crazy jumps.

4's not enough for me, 6's too much for me, 5's just right!