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5 string basses should be 35” scale

I love this bass ... it is a 5 string bass at 32" ... I love the low B and I use light scale strings 125 95 75 60 40. It has 3 pickups wired V-V-V-T. The only problem with the low B is I use long scale strings and the wrong part of the string enters the tuner and breaks, so I made an extender at the bridge to stop that.

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That’s a gorgeous instrument.
 
My 34” scale Sadowsky basses … PJ5, Modern fretless 5, German Metroline WL5 … have pitch-perfect, devastating B-strings. Every note from Low Eb to low C (the business notes) to Low B sound perfect in a mix.

I must just be a superior human to all you scale length theorists. And more handsome.

Unless your 35”/36” basses also get it done, in which case who gives a crap

I heard The Greyhounds the other week. Left hand keybass all night. Better than all of us have ever been.
 
My query is, what’s next? Does Sadowsky make a 35” 5 string? I want to get my high end, forever bass at this point in my life. I have pondered owning a Sadowsky for the build quality and tone. Does the B string sing with clarity? Should I go with an American Lakland? What are your thoughts?

My MM SR5, Wal and Sadowsky were all 34", had no issues and were equally balanced across all strings. My Lakland and Mike Lull were 35" and sounded equally good. My experience seems to indicate that the way a bass is made and the materials it's made from are more important for good tone and playability across the strings than the scale.

The only B string I didn't like was on a 34" Fender Am Std Jazz V. I doubt anyone else would have noticed, even the band, but as I had already owned basses with no issues I sold it.
 
I believe that when a person buys an instrument, that person wants everything about it to be great overall. Tone, playability, aesthetics, etc.

I have owned more than a few great basses from several builders, at virtually every price point, with 4/5/6 strings, and in 34/35/36 scale lengths. Something I think I have learned is that it is not particularly difficult to build a great 4 string bass in EADG tuning. However, it is quite a bit more difficult to build a great 5 or 6 string bass including a B string .

Every builder has their own recipe cooked up to maximize the chances of turning out a great 5/6 string, but because of the inherent difficulty there is no guarantee of success. Their personal recipes just up the odds for them given their particular designs and goals.

So what does this mean for a potential 5/6 string buyer? If you want to be happy with your choice, you will have to judge each instrument individually to determine if it is right for you. You can't base the decision on scale length, string gauges, wood combinations, electronics packages, etc. Going with a renowned builder will definitely up your odds of getting a great instrument. Still, you have to taste the finished product to know if it's great.
 
Lots of 34" scale basses have a great B string. Fenders are hit n miss, mostly miss. Dont know why. Saw this when I went shopping around 2002.

When you go shopping for basses, they have "regular" B strings on them (what came with the set - often a 120), which are too small in diameter. Put a big enough B on there to have decent tension, and it'll be much better. Floppy B strings are a string problem.
 
Play what you like! My position is controversial for sure. It’s also purely experiencial. Maybe I haven’t found the right 34” 5 string yet…
In over 300 shows with my Precision V and/or my Dimension has no one ever come up and said "man, those low notes would have much better distinction and clarity if your bass was a 35"".
 
Floppy B strings are intolerable.

Leo made the modern bass at guitar 34” scale to accommodate 4 strings. It is perfect for that specific purpose. Years ago I switched to 5 string and got an American Deluxe Jazz V. It was beautiful, sounded great, but the low B felt a bit like a rubber band.

Years later, Musicman Stingray 5. I loved that bass. It was slightly better with the low B. Still didn’t feel right. At the same time I played an Ibanez 6 string for solo bass arrangements. The high C was fun but that low B was rubber city.

Then I got a Lakland 55-02. Dammit, they got it right. The 5th string is taught, clear, and feels like a natural extension of the bass. It’s big, no doubt. I had to adapt to it but it’s the best 5 string I have ever owned.

My query is, what’s next? Does Sadowsky make a 35” 5 string? I want to get my high end, forever bass at this point in my life. I have pondered owning a Sadowsky for the build quality and tone. Does the B string sing with clarity? Should I go with an American Lakland? What are your thoughts?
I’m adamant that it ain’t the bass, it’s the player. But having said that I’d be checking out a Dingwall Lee Sklar.