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700w amp rig can't keep up with guitars.

I am annoyed AF at the guitarists in my one band. One just got his first tube amp ever and his tone is garbage. The lows sound dimed. It's a 50w Bugera into some garbage cab. Our other guitarist who is on the other end of the practice room has an EVH 5150iii combo which is also going into an oversized 5150iii 412 cab with excessive gain. They are playing really loud. I had pain in my ear at the last practice and my ears rang for days. I started using ear plugs because they will not turn down. Another problem is that my rig can't keep up and I have trouble hearing myself. I have a Peavey Firebass 700w and a GK neo 410 (8 ohm) stacked on an older acoustic cab. The Acoustic is not being used because of faulty jacks on the back. When I do use both, there is little perceivable difference in volume.

Lows are at 2 o clock, mids are at 11 o clock, highs are at 3 o clock. Contour is dialed up all the way. The active input setting is off, speaker protection is on, I am using a compressor. Sound only cuts when I use overdrive. My cab appears to be clipping with a clean sound with gain at 10 o clock and master dimed. Help!

All else fails, I will just get vengeful and direct into PA with full volume, both cabs. Seriously, the practice mix is so bad, I hardly hear the drums or vocals. It's just guitar distortion, mostly the EVH one.
 
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Buy a matching 410 if you want to match firepower. Use earplugs. Find a new band. Sounds to me like you're the brains of the outfit. Find a group of bandmates that matches your musical and volume sensibilities more closely. You'll be happier in the long run. Do not run your gain at ten. I'll leave the pedal advice to those more experienced. Try master full and gain half.
 
From your settings described, it appears you're scooping out your mids, which is the last thing you should do if you want to cut thru. Not only are your settings on the tone controls scooped, but you are scooping further by maxing the contour knob. Make adjustments during practice and start flat adjusting from there by adding mids and ridding yourself of scooping. It may be that your rig can never compete with that kind of volume.
Seems you have several problems: one with your rig and the other with your bandmates. Can't help with the latter, but would suggest you have a serious discussion with them and if you can't come to an agreement about volume, be prepared to bail.
 
Lows are at 2 o clock, mids are at 11 o clock, highs are at 3 o clock. Contour is dialed up all the way.

You are cutting mids. Boost them!

Pull the lows down to 11:00 and boost the mids up to 2:00. Assuming the Contour is another mid cut, turn it off.

You guys are all fighting for the same frequency range and by boosting mids you will give yourself a much better chance of being heard. Cutting mids sounds great in the bedroom but doesn't typically work well in a live band context let alone a metal band.
 
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I will try playing flatline. If I use an EQ pedal, can I "scoop the mids" there without this problem?

At this point I have been considering quitting for a while. I have some criticisms of the music we're writing and they're just not listening to my suggestions or willing to change anything. That coupled together with personal problems, and problems like this are going to lead to my exodus. I am kinda trying to wait it out through this Hard Rock Cafe battle of the bands competition before I do that, though. For me, that's the make it or break it for this band.
 
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You are cutting mids. Boost them!

Pull the lows down to 11:00 and boost the mids up to 2:00. Assuming the Vontour is anotger mid cut, turn it off

I was going to say the same exact thing. Except for that last part.

But yes, the contour knob should be all the way off for starters. Adjust as necessary, if at all. I would leave it off. Boost those mids, cut the bass so you can get more headroom, and turn your EQ pedal off until you get the amp sorted out. Then fine tune with the pedal if you'd like to.
 
They are playing really loud. I had pain in my ear at the last practice and my ears rang for days.

I know this is the amps and cabs section, and this won't be the answer you want, but for your long term health, what you need to do is get out of this band and find people willing to play at a reasonable sensible volume.
Tinnitus is no joke, and has ruined a lot of people's enjoyment of music and life.
 
copy/pasted from the firebass manual:
"700 watts into 2 Ω, 475 watts into 4 Ω, 275 watts into 8 Ω".

i've never found 275 watts would come even close to what i needed to play in a rock band with drummer, and since you're not diming it, you're playing lower than that. get a second neo 4x10 and you'll be playing at 475 watts plus moving a LOT more air.

btw, you should never play rock except "soft rock" without earplugs - you'll end up with tinnitus and hearing dropoff, and it won't go away ever. it's true that earplugs are unpleasant, and if they really bother you it might be worth finding a different band if they won't turn down. years ago i played punk with a LOUD drummer, and ended up having to get a more powerful head and a second cab to keep up, and went through earplugs with every rehearsal.
 
copy/pasted from the firebass manual:
"700 watts into 2 Ω, 475 watts into 4 Ω, 275 watts into 8 Ω".

i've never found 275 watts would come even close to what i needed to play in a rock band with drummer, and since you're not diming it, you're playing lower than that. get a second neo 4x10 and you'll be playing at 475 watts plus moving a LOT more air.

btw, you should never play rock except "soft rock" without earplugs - you'll end up with tinnitus and hearing dropoff, and it won't go away ever. it's true that earplugs are unpleasant, and if they really bother you it might be worth finding a different band if they won't turn down. years ago i played punk with a LOUD drummer, and ended up having to get a more powerful head and a second cab to keep up, and went through earplugs with every rehearsal.

I believe that my bandmates have lost a lot of hearing from playing at loud volumes because the volume keeps going up at practices! I wearing ear plugs about half of the time. I decided after that pain, I am not messing around anymore.
 
After Dealing with 2 guitarist in multiple bands.

8x10 was my go to cab

Just need move more air, so another matching 4x10 be good idea

Or a used ampeg 8x10.

Try not boost bass so much and boost mids. Deep bass might sound good playing solo. In a mix at high volume its getting drowned out and reducing the overhead of your cab before it farts out.
 
I am annoyed AF at the guitarists in my one band. One just got his first tube amp ever and his tone is garbage. The lows sound dimed. It's a 50w Bugera into some garbage cab. Our other guitarist who is on the other end of the practice room has an EVH 5150iii combo which is also going into an oversized 5150iii 412 cab with excessive gain. They are playing really loud. I had pain in my ear at the last practice and my ears rang for days. I started using ear plugs because they will not turn down. Another problem is that my rig can't keep up and I have trouble hearing myself. I have a Peavey Firebass 700w and a GK neo 410 (8 ohm) stacked on an older acoustic cab. The Acoustic is not being used because of faulty jacks on the back. When I do use both, there is little perceivable difference in volume.

Lows are at 2 o clock, mids are at 11 o clock, highs are at 3 o clock. Contour is dialed up all the way. The active input setting is off, speaker protection is on, I am using a compressor. Sound only cuts when I use overdrive. My cab appears to be clipping with a clean sound with gain at 10 o clock and master dimed. Help!

All else fails, I will just get vengeful and direct into PA with full volume, both cabs. Seriously, the practice mix is so bad, I hardly hear the drums or vocals. It's just guitar distortion, mostly the EVH one.

Yeah. You want to turn down the lows significantly. You can't compete with guitars by boosting the lows. Bunches of power going to make sound that you might feel, but don't hear.

I'm not familiar with the specs on your 4x10 maybe someone knows the SPL for that cab. If the SPL is old school low SPL it won't matter a lot how much power you throw at it.

In theory, adding a second matching 4x10 should get you to about twice as loud. But if you're speakers don't produce much to begin with, you have an uphill battle. It just might take a pair of modern, high SPL 4x10 cabs to compete with that squad of goofballs. The 1x15 with a 4x10 usually is not a very good combination. The 15 could actually be holding you back. But putting your power to the mids is a good starting point.
 
I am annoyed AF at the guitarists in my one band. One just got his first tube amp ever and his tone is garbage. The lows sound dimed. It's a 50w Bugera into some garbage cab. Our other guitarist who is on the other end of the practice room has an EVH 5150iii combo which is also going into an oversized 5150iii 412 cab with excessive gain. They are playing really loud. I had pain in my ear at the last practice and my ears rang for days. I started using ear plugs because they will not turn down. Another problem is that my rig can't keep up and I have trouble hearing myself. I have a Peavey Firebass 700w and a GK neo 410 (8 ohm) stacked on an older acoustic cab. The Acoustic is not being used because of faulty jacks on the back. When I do use both, there is little perceivable difference in volume.

Lows are at 2 o clock, mids are at 11 o clock, highs are at 3 o clock. Contour is dialed up all the way. The active input setting is off, speaker protection is on, I am using a compressor. Sound only cuts when I use overdrive. My cab appears to be clipping with a clean sound with gain at 10 o clock and master dimed. Help!

All else fails, I will just get vengeful and direct into PA with full volume, both cabs. Seriously, the practice mix is so bad, I hardly hear the drums or vocals. It's just guitar distortion, mostly the EVH one.

The only piece of extra equipment you need is a recorder. Play back the awful tones and mixes to your band member after practice. If they don't see the light, time to move on - saving a ton of $$$ and frustration in the process.