I've wanted to do something like this for a long time, and I've finally got up the nerve to go for it. It helps that there are a couple threads about this same bass that turned out well. Just like them, I'll be taking my time and doing it a bit at a time. I've already disassembled it, I've got access to a heat gun to take off the poly red that was stock, I've almost decided on the new finish and the method I want to try out, and I spent some time today taking 0000 steel wool to the gloss on the all maple neck.
The final vision is for a dark transparent purple or purpleburst with black pickguard and hardware. I also want to add a reversed P by the bridge to make it a mirrored P configuration with '60s jazz wiring setup with a stacked tone/volume knob for each one. I've also entertained the idea of doing a darker tint on the neck and adding block decals.
So, for my first question, I'd like some help with the neck idea. Is it possible to darken the neck over the existing finish after having used the steel wool, or have I just knocked off the shine without really getting closer to wood that will accept stain/dye/spray? I'm still undecided on whether or not I'm okay with taking it down to bare wood to start completely over only because the back of the headstock was signed by Kelly Pickler on a USO tour. I'm not really attached to it because it's her, but more because of the surrounding circumstances and how cool she was in person.
I've spent a while searching the forum today with no definitive answers standing out.
I'll also post pictures along the way, as well as asking plenty more questions, I'm sure.
The final vision is for a dark transparent purple or purpleburst with black pickguard and hardware. I also want to add a reversed P by the bridge to make it a mirrored P configuration with '60s jazz wiring setup with a stacked tone/volume knob for each one. I've also entertained the idea of doing a darker tint on the neck and adding block decals.
So, for my first question, I'd like some help with the neck idea. Is it possible to darken the neck over the existing finish after having used the steel wool, or have I just knocked off the shine without really getting closer to wood that will accept stain/dye/spray? I'm still undecided on whether or not I'm okay with taking it down to bare wood to start completely over only because the back of the headstock was signed by Kelly Pickler on a USO tour. I'm not really attached to it because it's her, but more because of the surrounding circumstances and how cool she was in person.
I've spent a while searching the forum today with no definitive answers standing out.
I'll also post pictures along the way, as well as asking plenty more questions, I'm sure.