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A DIY pedalboard built from house leftovers.

I'm a beginner, and I don't gig, so a commercial pedalboard isn't a justifiable expense. I'd been keeping my one pedal, headphone amp, cables, and headphones all pre-wired in a cardboard box. It's marvelous for storage, quick to set-up, but clunky to actually *use*.

A looper pedal is arriving tomorrow, so I figured it was time to make something more permanent and usable. I looked around the house, and to my amazement, I had all the parts I needed to build a pedalboard with minimal work. Behold!
pedalboard.gif

  • The sides are leftover pine from a shelf build from years ago.
  • The handles are a couple of old drawer pulls from a kitchen reno.
  • The cross pieces were part of the shipping packaging for a washing machine.
  • The power bar was a forgotten extra still in moving boxes (and it has USB power!).
  • The angle brackets were for a repair that didn't happened.
  • The screws, washers, and rubber feet are random leftover toolbox parts.
  • The velcro for the pedals are little 3M Command strips remaining from mounting pictures.
It took me about an hour to put it all together. There are only two sub-assemblies: the side piece and the cross-piece. Everything is symmetrical and reversible. Cutting the one piece of pine into two side pieces was the only cut needed in the whole project. Everything was just the right dimension to begin with!

The exposed angle brackets aren't pretty, but I made sure to use countersunk flat-head screws so I can simply velcro right over them, and their placement means both the bottom and sides of the pedalboard are completely flat and flush without having to carve out notches.

The only thing that bugs me about the build is that I had to mix Philips and Robertson screws, which is a pet peeve of mine when I encounter someone else's work, but that's what I had on hand of the right length.

I thought about finishing it with Speedball India Ink to make it slick and black in a way that the velcro adhesive wouldn't lift like plain paint, but I didn't have that on hand. I think I'll leave it natural as it's all pine, and I like how it weathers (little pockmarks and a darkening over time, it'll look well-used).

It's 27 inches wide, 13 inches deep, and 3.5 inches tall. The top shelf is meant to hold the power and outputs and any gear that's infrequently touched. The bottom shelf is supported by the ground and so is for pedals meant to be frequently stomped on. Standard BOSS-style pedals, mini-pedals, and wide pedals will all fit well on the cross-pieces. (OK, maybe a Cry Baby wouldn't fit well...)

The output pedal is a modded Behringer BDI21 feeding a Fender Mustang Micro, which itself feeds either headphones or a little Bose powered speaker. Tomorrow an Amazon Basics Looper (which is a NUX looper inside, as reported by JHS Pedals) will get added to the bottom right and connected to the BDI21 with a short TS cable I have lying around.

I don't plan to ever have a large set of pedals, and I'm not hurrying to fill it as I do not know where I will end up with playing bass, but I can imagine adding, in time, a small amplifier head (a cheap Class D, or a Quilter Interbass), a fuzz/overdrive of some kind, and maybe a mixer for parallel effects and clean blend.

I'm open to suggestions as to what to add/change to make it more useful. I'm not big into effects, but I want/need things that help support playing, like a looper. :) I should see if I have something lying around to implement storage under the top shelf.

-- taketwo
 
Nice one, OP! I love the DIY stuff, and commitment to working with the materials you just had around. That's some of my favourite kind of creativity!

Alas, the world of pedals is vast, and in a huge catch-all like TB, you will receive some wildly disparate advice over what are your essentials, what may be fun, and what you need to avoid like the plague. Before I start spouting off with my own nonsense advice, I'd ask what sort of music you plan to play? And is it in a band environment, or a solo play/recording situation? Those factors should definitely provide some influence and direction for what to suggest to you.

My three "essential" effects for the music I play is, in order of importance, sub-octave, overdrive/boost, and envelope filter. I'm playing a ton of reggae music, but also do plenty of Top 40/cover/wedding type gigs which require me to be a tone chameleon. But those may not be your needs in the slightest! Hence my request for a little more info on your aims and goals.
 
Nice one, OP! I love the DIY stuff, and commitment to working with the materials you just had around. That's some of my favourite kind of creativity!

Alas, the world of pedals is vast, and in a huge catch-all like TB, you will receive some wildly disparate advice over what are your essentials, what may be fun, and what you need to avoid like the plague. Before I start spouting off with my own nonsense advice, I'd ask what sort of music you plan to play? And is it in a band environment, or a solo play/recording situation? Those factors should definitely provide some influence and direction for what to suggest to you.

My three "essential" effects for the music I play is, in order of importance, sub-octave, overdrive/boost, and envelope filter. I'm playing a ton of reggae music, but also do plenty of Top 40/cover/wedding type gigs which require me to be a tone chameleon. But those may not be your needs in the slightest! Hence my request for a little more info on your aims and goals.

Thanks. And I agree about the vast disparity of possible answers to my question.
I still don't know where I'm heading, and learning bass guitar has been such a process of dismantling expectations and biases that I'm "playing it by ear" now, so to speak. I originally thought I was going to be all about Lemmy and Squire, but it turns out I prefer to listen to that stuff rather than play it, and I discovered I prefer flats (surprise!).

I play solo, and I expect it will be that way for a long while, maybe moving to little jams at some indefinite point. Not likely to have time for a band until I retire. Right now, I'm learning some Jazz. I realized I could play the piano, bass, and melody parts of "Take Five" as separate parts on my five-string, and accompany myself playing a shortened version of the piece, hence the looper pedal. If that works out, I'll try other standards like "St. Thomas" and "Girl From Ipanema" and "Equinox", etc... The same might work for some Blues.

I keep thinking I'd like to play some stoner metal, nice slow heavy grooves, thus requiring a good fuzz. But that's for later, if at all. My music binder of "I'd like to learn this" has sheet music for some Al Di Meola (Flight Over Rio), Stevie Wonder (Sir Duke), ELO (Mr Blue Sky, learnt), Dire Straights (Sultans of Swing, learnt), some Jazz lead sheets, a little Black Sabbath and Megadeth, Cream, etc... So yeah, I don't know where I'm going yet.

As for tone, I have a very versatile bass, also modded, so I have many options there already: Jackson Spectra: details, electronics, and some fixes/upgrades

But again, I'm pretty sure I don't need many effects per se, but tools. (e.g.: there's no tuner pedal because I use a Snark clip-on.)
 
I built my pedal board with the same mindset! I used all stuff laying around my basement from past projects. The reason I built it in the first place was that I was trying to transition from my rack gear to pedals, so I wanted a board that I mount my rack preamp and effects processor until I replaced them with pedals. So it needed to two levels and exactly 19” across the inside of the sides.
IMG_1935.jpeg


It worked fine, but the BBE preamp was really heavy! It was like carrying around a cinder block. It wound up selling a lot faster than I expected, but it revealed the fundamental flaw in my plan: my TC Electronic M300 needed to be line level, and I now no longer had a line level effects loop! Oops.

So I sold it and put a rack shelf where the units where that I could attach my power supply and store my Warwick Gnome.
IMG_2536.jpeg


It’s still bulky, but the only thing I paid for was the Velcro and the shelf!
 
I built my pedal board with the same mindset! I used all stuff laying around my basement from past projects. The reason I built it in the first place was that I was trying to transition from my rack gear to pedals, so I wanted a board that I mount my rack preamp and effects processor until I replaced them with pedals. So it needed to two levels and exactly 19” across the inside of the sides.
View attachment 5046504
<snip>
It’s still bulky, but the only thing I paid for was the Velcro and the shelf!

Very nice! I like the solid wood platforms. I was never clear as to why pedalboards almost always are slatted, for cable management I presumed, but yours looks pretty tidy too. I also imagined that I could narrow my build to 19" to slide a rack unit in that empty space, but only if some exceptional tool comes along in that form factor.
 
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View attachment 5077961
Jawari (Jabberwocky)pedal turns your bass into an AM radio sitar sound...BigMuff clone... sounds good with the tone on BASS... and the sustain at zero...The copilot fx mantis II is a crazy sounding pedal...does super bass pll sounding stuff...Ibanez sb7 synthesizer bass is very volume nob sensitive and has tons of sounds...very under rated... Sleeping dog fx octodog sounds good... does not sound like an OC2... the +1 has a lot of mojo...DOD fx25 clone is RAD!... does the bill laswell dub bass sound...The HBE psylocybe sounds awesome ...chewy phaser and keeps most of the low end...

And the pedal board is a... Oven rack?
That's a new minimalism, and I like it!
 
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