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There are no silly questions...it's easy to mis-interpret print.
I couldn't get away from it, as in 'back off please'. It was too much.
Interesting note: If I boosted the extreme highs like 12k and above, I actually got more response to that boost of 'air' from the straight Acmes than the Meyer/Acmes. It's almost as if they 'wrote off' part of the high end that perhaps wouldn't make it to the audience anyway, in favor of a strong controlled projection at (relatively lower freq's) ...Analogy only, here, for perceived sound, who knows....
Anyway, it crosses at 1250 and IMO overlays everything above that point with a bit of a plasticy horn snark (actually snark is too good a word for it...let's just say annoying at near field). This ultimately removes some midrange textures but really punches/cuts through. I prefer the textures. The horn was too overbearing for me.