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Adam Clayton Grammys

My wife and daughters immediately noticed the bass and wanted me to get one. I don't want one, but there may never be an emptier net of spousal bass approval.
You could always order one, play it for a couple days and then exchange it for something you REALLY want. I call this "bass conversion"......:D
 
I could never sit thru the Grammys, but I do love their first album up until Rattle&Hum ... a couple tracks since then, but not much.

And I think that purple sparkle is beautiful ... I'd rock the snot out of it :smug:
 
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Let's remember that one of the charms of the Precision Bass is that it's a nicely engineered and simple piece of machinery. It doesn't take much to make it sound like a P-Bass, and that's what so great about it: affordability, interchangeable parts, and predictability. I'm not sure a $1,800 P is that much better than a $600 one, but it sure might be prettier!
 
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I'm sorry but The Edge is the driving force of U2. There is a reason that Bono doesn't go solo.

Yeah, without him there would nobody to trick the audience into the song they’re about to hear is something from Joshua Tree before disappointing them with a number from their yet-to-be-downloaded-to-your-iPhone-for-free-whether-you-like-it-or-not album.
 
Boy, October, War, and The Unforgettable Fire are really good albums. Joshua Tree is great. Rattle and Hum is a little pretentious but still pretty good.
Joshua Tree turned me off U2 for a long time. For me, their first 3 albums are still by far their best, the first 2 especially. More recent stuff has been pretty decent, but nothing compares to the first 3 for me.
 
Joshua Tree turned me off U2 for a long time. For me, their first 3 albums are still by far their best, the first 2 especially. More recent stuff has been pretty decent, but nothing compares to the first 3 for me.

+1
I like The Unforgettable Fire album the most, as an entire work. Nice flow from one song to the next, only 1 track I usually skip.
 
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I'm sorry but The Edge is the driving force of U2. There is a reason that Bono doesn't go solo.
Bono is a lot smarter than a lot of singers who could easily have gone solo. He knows what the musicians in the band bring to the table, he appreciates it, and instead of thinking about how he could keep all the money for himself or how he could make non-U2-sounding music with others, he realizes that U2's strength, ipso facto his own strength, is in its unity.

A guy like Sting, getting into monthly fistfights with Stewart Copeland, I get why he disbanded The Police, though. Some people have to do it. Most of them do it so they can make all the money. And with Bono, it would only be a money grab, and I figure he has enough money at this point not to care.
 
Isn't that how it is pretty much any year for popular music?

1990 "Hold On" [215] Wilson Phillips
1991 "(Everything I Do) I Do It for You" [221] Bryan Adams
1992 "End of the Road" [227] Boyz II Men
1993 "I Will Always Love You" [233] Whitney Houston
1994 "The Sign"[239] Ace of Base
1995 "Gangsta's Paradise" [245] Coolio featuring L.V.
1996 "Macarena" (Bayside Boys Mix) [251] Los del Río
My Gawd, there was so much amazing original rocknroll on the radio during these years, and none of it was reflected on the charts.

2001 "Hanging by a Moment" [281] Lifehouse
2002 "How You Remind Me" [287] Nickelback

:facepalm:
 
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