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Advice Wanted...Needed...

Guys and Gals.....as I'm recently retired from extensive touring (Having hit my 50's and wanting to stay closer to home and family)...and doing a lot of studio work these days...And...I'm in the market for a new bass...

I own Several Precision Basses
Several Jazz Basses
Several "P/J" Basses
and Several Rickenbackers

"P/J"'s have always been my go to and have pretty much played them exclusively in various projects and bands for years now..

Most producers have asked me to bring either a "P" bass or a "J" bass into the studio...(hence the reason I own them) but a few have asked for something a little more out of "Ordinary Box" as of late...

So...

I want to add something with Double Humbuckers....(and I would really like to kill two birds with one stone and acquire something that is both Active and Passive with switching options)...My budget is around the $2000.00 dollar mark

At this point I'm leaning towards a G&L L-2000...(Caveat is I prefer a maple board and a 1.5" nut width)

So fellow TB'ers what say you?

P.S. (I'm in the process of selling off a lot of my private collection that just doesn't get played anymore and trying to keep the stable down to about 10 basses give or take...so I may up my budget to $3,000.00 depending on what sells and when)
 
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Stingray is without a doubt what I'd go for. Its the only classic sound you're missing, and it won't be found in any other bass.

stingray-hh-classic-natural-hd-149246.png
 
The G&L L2k is a great bass to get into. I have one with a single coil switch option. Very versatile bass. But like Joe says, the Stingray is another great bass with its own tone. You can get a double humbucker model too. Personally, I prefer the tone of my G&L over my Stingray(ok, its a Ray34ca but its got that stingray tone). For $2K, G&L offers great custom options for finish, neck size, binding and switch options like the single coil options aka a K switch option.
 
Stingray is without a doubt what I'd go for. Its the only classic sound you're missing, and it won't be found in any other bass.

View attachment 3612484

Joe,
This Would probably be my second choice next to the L-2000, however I have played many Stingrays in the past and I am absolutely not a big fan of the neck profile...(I have been playing Laklands with a 10" radius and a 1.5" nut for years now and have gotten very comfortable with them) I would Like to try the SLO special neck, but alas in my immediate area there is no chance whatsoever of getting my hands on one...

SLO is only a 3 to 4 hour drive for me though...so I may just see if I can try one at the the EBMM facility...unless a fellow California TB'er has one they will let me try...
 
Joe,
This Would probably be my second choice next to the L-2000, however I have played many Stingrays in the past and I am absolutely not a big fan of the neck profile...(I have been playing Laklands with a 10" radius and a 1.5" nut for years now and have gotten very comfortable with them) I would Like to try the SLO special neck, but alas in my immediate area there is no chance whatsoever of getting my hands on one...

I'm pretty sure the Stingray Special has a very different neck profile. The Short Scale Stingray absolutely does :). Sterling necks are also super thin and sweet, and with an HH you'd get all the oomph of a Stingray.

I don't have any experience with G&Ls outside of picking them up in a store, but I do know that I've never played another bass (outside of a Stingray or Sterling) that has that signature MM sound. Not even my Bongo gets that.

I chimed in here cuz my collection is very similar to yours. I have a few jazz basses, a P, a bunch of P/Js, and just recently I got involved in a recording project. I broke out all my basses and was surprised that what fit best for these particular songs was the Ric (in McCartney, not Squire mode :) ). I wanted badly to use my Stingray as its the only bass I ever use live any more, but it was VERY different sounding. Unlike any of the others in my stable, and a bass I'll definitely be using on my own recordings. I can't get that sound out of anything else I own.

This is the sound I'm talking about. Not great for everything, but great for when you want it :) .

 
I'm pretty sure the Stingray Special has a very different neck profile. The Short Scale Stingray absolutely does :). Sterling necks are also super thin and sweet, and with an HH you'd get all the oomph of a Stingray.

I don't have any experience with G&Ls outside of picking them up in a store, but I do know that I've never played another bass (outside of a Stingray or Sterling) that has that signature MM sound. Not even my Bongo gets that.

I chimed in here cuz my collection is very similar to yours. I have a few jazz basses, a P, a bunch of P/Js, and just recently I got involved in a recording project. I broke out all my basses and was surprised that what fit best for these particular songs was the Ric (in McCartney, not Squire mode :) ). I wanted badly to use my Stingray as its the only bass I ever use live any more, but it was VERY different sounding. Unlike any of the others in my stable, and a bass I'll definitely be using on my own recordings. I can't get that sound out of anything else I own.

This is the sound I'm talking about. Not great for everything, but great for when you want it :) .



Joe,

Totally on my Radar...just not much experience with Ray's in general other than trying a few here and there on the road that belonged to other players...I have owned and played many G&L's (hence the reason I'm leaning that way, well that and i can get a custom made my way for a very good price) but and old School Sterling might be the ticket or a Ray with the SLO special neck...If I can get my hands on one to try it...
 
Joe,

Totally on my Radar...just not much experience with Ray's in general other than trying a few here and there on the road that belonged to other players...I have owned and played many G&L's (hence the reason I'm leaning that way, well that and i can get a custom made my way for a very good price) but and old School Sterling might be the ticket or a Ray with the SLO special neck...If I can get my hands on one to try it...
I do agree with @DiabolusInMusic about the 2 band though. Much preferred
 
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