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After reading TB for almost a year

I wanted to make my bass play better so I roasted a baseball bat in butter. I wanted it to sound better, so I put on a tortoise shell pick guard. I sold everything but my P bass and bought 4 more P basses so I could have one each with different kinds of flats and different tone woods on the fret boards. I routed chambers into all of them because some of them weighed more than 8 lbs 6 oz. Tone wood makes all the difference, but you don't want too much of it! I spent thousands on boutique cabinets and high-end heads and use DI live with IEMs. I obsess over minor tonal differences in pickups but still can't play two-octave arpeggios in 12 keys without losing my place half way through the circle of fifths.

And after all that I still can't figure out the best bass for metal. Can anybody help?

:roflmao::roflmao::roflmao::roflmao::roflmao::roflmao::roflmao:

Thank you!!!
I needed this tonight..
You win the interwebs tonight :thumbsup:
 
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Hi,

What I find totally amazing is this; In our society everything from cigarettes and alcohol to power tools and paint are covered in warning labels alerting us to the dangers, the addiction, the birth defects, the bodily harm, and the negative mental effects these items have on the population.

And yet, bass players are allowed to walk around with no restrictions.


Thank you for your indulgence,

BassCliff

I my county bass players are required to register :(
 
I wanted to make my bass play better so I roasted a baseball bat in butter. I wanted it to sound better, so I put on a tortoise shell pick guard. I sold everything but my P bass and bought 4 more P basses so I could have one each with different kinds of flats and different tone woods on the fret boards. I routed chambers into all of them because some of them weighed more than 8 lbs 6 oz. Tone wood makes all the difference, but you don't want too much of it! I spent thousands on boutique cabinets and high-end heads and use DI live with IEMs. I obsess over minor tonal differences in pickups but still can't play two-octave arpeggios in 12 keys without losing my place half way through the circle of fifths.

And after all that I still can't figure out the best bass for metal. Can anybody help?
ROTFLMAO
Absolutely f'ing brilliant.
ps: don't forget to fire the drummer.
 
Last edited:
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