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All maple basses.

I love maple basses. Even woods close to maple i like similar to swamp ash. But I feel you can get alot of punch from maple as well as warmth dependent on the pre and pickups. Like my alleva coppolo.
 

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I owned a Pedulla Thunderbass 4 string for a few months.
I did a recording session and the producer was FLOOOOOORED by the tone it put it. And it's true, it really killed.

Alas, the neckthru maple body, maple neck, maple top really had a maple sound which isn't my favorite. Really punchy though and a super tight bottom.
 
Would a decent preamp and pickups be able to overcome the brightness of the wood and add more flexability? I had an idea for a Benavente bass and they offer flamed maple as a body wood. They have 2 differnet pickups wide and slim. I would probably go with the wide and thier 3 band preamp.


My Gibson RD Artist is all maple, I believe. With the Moog-designed preamp/active pickup system in it, its got an extremely wide tonal range, wider than any bass I've ever heard. It goes from an extremely muffled, muddy deep thump to an extremely bright, harsh high end, and everything in between. I don't know how helpful this is for the OP's question, though, because it's hard to tell what it'd sound like without the Moog stuff tweaking the original sound.
 
How would you describe the tone?

With the humbuckers and Chromes, I can go from P on steroids to almost the Rick clank. The walnut adds some warmth compared to all maple. Kinda like the difference between analog and digital recordings. The digital is crisper, harsher than the warm analog sound.

I haven't played the G&L with the band yet. I will do that this Sunday. I have a feeling I will be able to dupe the 4004 tones and more.
 
Resurrection but my old budget Epiphone Rock bass is one of the brief maple body, maple neck ones. Heavy as hell. It has a LOT of punch on the highs, very bright with a really sharp attack. Like, can sound like slap bass just normal finger picking. It also has a deep low with a ton of sustain on the notes. It also had big brass saddles down at the bridge which may help with that. Ive considered switching to flats or half rounds on it just to cut back on the high end snap a bit. Come to think of it, I've never even thought about doing like full rounds on EA and maybe going flat or half on DG. Is that a thing that's done?
 
Just built such a thing. The FrankenMaple Jazz has a Squier CV 70s maple body and a Fender roast maple neck. With Fender Flats, Hipshot brass bridge and Aguilar pickups, it's warm at the neck but gets growly on the 70s position bridge pickup. Still getting to know the tells of this bass, but so far I'm finding it has huge sustain.
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