Mostly positive replies here, and mostly replies that I agree with.
But, I don't understand the drop D situation. Did you come to the rehearsal having learned the songs in their original tuning or did you find charts/tabs that were not in the correct tuning? If you showed up and they were changing the key of the original, then they should have made that clear up front. If you showed up playing the songs out of key, then you can only blame yourself.
I'm no pro, but if I'm told we are playing a cover, I learn it in the original key unless explicitly told otherwise. But, I also show up to rehearsal able to play the songs I agreed to unless I have specifically said I can only learn X by our next meeting.
Having gigs lined up or not doesn't really play into it, imo and I don't know why that was stressed in your post. I get that there was no "pressure" for your first rehearsal because of it, but it doesn't change the dynamics of people playing together. If they didn't jive with you, then they didn't jive with you.
All that said, it's depressing and sucks when bands fall apart. It's depressing and sucks when you get rejected. If you're not good at taking criticism, then it's depressing and sucks when people point out your problems. None of that, however, means that you suck or that you should stop playing bass. It means that you should take what you can out of the experience, get better, and find better people to play with the next time.
But, I don't understand the drop D situation. Did you come to the rehearsal having learned the songs in their original tuning or did you find charts/tabs that were not in the correct tuning? If you showed up and they were changing the key of the original, then they should have made that clear up front. If you showed up playing the songs out of key, then you can only blame yourself.
I'm no pro, but if I'm told we are playing a cover, I learn it in the original key unless explicitly told otherwise. But, I also show up to rehearsal able to play the songs I agreed to unless I have specifically said I can only learn X by our next meeting.
Having gigs lined up or not doesn't really play into it, imo and I don't know why that was stressed in your post. I get that there was no "pressure" for your first rehearsal because of it, but it doesn't change the dynamics of people playing together. If they didn't jive with you, then they didn't jive with you.
All that said, it's depressing and sucks when bands fall apart. It's depressing and sucks when you get rejected. If you're not good at taking criticism, then it's depressing and sucks when people point out your problems. None of that, however, means that you suck or that you should stop playing bass. It means that you should take what you can out of the experience, get better, and find better people to play with the next time.
