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am i the only one?

Might be a fun exercise to remove a string and ‘make it work’. I know if I saw a bass player lose a string and finish the set by playing any missing notes elsewhere, I’d be impressed.
For me it would typically break at the saddle, but just the core. The winding would reamain inact. So the giant pickup on my Gibson would suck the string to itself and interfere with any kinda transposing you were suddenly tasked with. My mid-song solution was to stretch the string over my shoulder like another strap just to remove it from the magnetic pull. After the song I'd clip the residual winding and be free of it. Whether you bring a backup or not, if this happens you still gotta maintain composure mid-song.
 
I broke a string one time. Standing on the edge of a stage in the middle of the second song. Not one extra string in the house. And it was my E string. Luckily the sound tech had a good aweful bass in his car. I don't carry extra strings still. Becuase well, punk rock.
 
one great example of this happening at a pretty historic moment/concert... pretty sure they ended up finishing the set even with the rude interruption
www.youtube.com/watch?v=ZLWhRDkJSWE

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can't imagine how jack cassady broke that string. in those day's he used a short scale guild starfire bass with less tension on the strings than a long scale and he's always been a finger style player, no picks. probably a faulty string. QC was likely lacking in those days.
 
Seems in my early days on the instrument i broke the occasional string, usually due to excessive force in slap bass(popping too hard). Not sure if there was a physical issue with the bass causing it, but i am guessing i was just playing too hard. Once my technique matured i haven't broken a string for as long as i can remember.
 
When I was younger, I broke E strings every once in a while (in a Rush cover band :thumbsup:)... I didn't leave the strings more than 3-4 wks - so not where they would get old and funky :) usually GHS Boomers at that time

I break 3-4 per year, and now play DR Pure Blues .40 on my 4 and 5s (mostly Warwicks) and carry about 5 backup .40s as those I will break on occasion. Strings get replaced about every 3-4wks (on the basses I'm playing at the time) but G does get some abuse with popping and double thumbing. Always at the saddle the core will break and just unwinds.

Oddly, on my 6 which has DR Pure Blues .30 I've never broken one... But do carry a couple of spares just in case as it does feel delicate ;)

Its not a brand thing either, as this has always happened to me with other string brands as well (Elixr, GHS, Warwick, etc.).

On my guitars, it's always been the high E that would break... Usually at the nut (Fender, Gibson, Etc.). I also have a Charvel with a funky 80s headstock where the high E has a bend at the nut to the tuner which causes a stress point so I break those all the time.
 
When I was younger, I broke E strings every once in a while (in a Rush cover band :thumbsup:)... I didn't leave the strings more than 3-4 wks - so not where they would get old and funky :) usually GHS Boomers at that time

I break 3-4 per year, and now play DR Pure Blues .40 on my 4 and 5s (mostly Warwicks) and carry about 5 backup .40s as those I will break on occasion. Strings get replaced about every 3-4wks (on the basses I'm playing at the time) but G does get some abuse with popping and double thumbing. Always at the saddle the core will break and just unwinds.

Oddly, on my 6 which has a DR Pure Blues .30 I've never broken one... But do carry a couple of spares just in case as it does feel delicate ;)

Its not a brand thing either, as this has always happened to me with other string brands as well (Elixr, GHS, Warwick, etc.).

On my guitars, it's always been the high E that would break... Usually at the nut (Fender, Gibson, Etc.). I also have a Charvel with a funky 80s headstock where the high E has a bend at the nut to the tuner which causes a stress point.

Ya know it was GHS Boomers i was always using at the time of string breakage. I wonder if they were more prone than the Daddario and DR's i used later in my bass playing career. I know alot of people like GHS, but at some point i left them behind and considered them a cheap string..not sure how much truth there is to that though.
 
I broke a D string at the beginning of an hour-long show. Since my backup bass was upstairs in the dressing room, (no room on the stage for it) I quickly retuned and finished the show without the D string. The band didn't notice.

Another time the wind picked up the drummers crash cymbal and it flew into my bass cutting my E string nearly in half. It put a dent in the neck too. I was a broke teenager, so I didn't have a spare. The core didn't break, so I was still able to play on it, but it didn't sound very good.

There have been other times that I've broken strings, but it's been so long ago that I don't remember any details. I don't think I've broken a string in over twenty-five years.
 
LOL... I think I broke a string once back in about 1967 - G-string if I recall correctly. At the time I was using a pick and not my fingers. In 1968 I got hounded by my drummer to switch to using my fingers instead of a pick. I switched to fingers and haven't had any broken strings since then - dead strings - yes, broken strings - no.

I've had a set of GHS boomers sitting in my gig bag as a back up for about 10-years now. Still, I don't think of that as a waste of money. They are a pretty inexpensive insurance policy and as others have said, take up almost no room in my gig bag.
 
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it only takes one time.
 
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can't imagine how jack cassady broke that string. in those day's he used a short scale guild starfire bass with less tension on the strings than a long scale and he's always been a finger style player, no picks. probably a faulty string. QC was likely lacking in those days.

I don't know, he was a very dynamic player and would dig in pretty hard sometimes... he broke a string at Woodstock too (mid-solo!), which was less than a half year earlier. You can actually hear it break at the 2:44 mark in the following recording. Totally keeps his composure, puts on a new string, and picks up the solo where he left off!
 
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