Also, I have been playing my Take 5 a lot but not recording it. Here's my attempt at a Lyra-8-like drone vibe (doesn't quite get to the Lyra's "mating whales" sound though) with tons of different kinds of modulated distortions and feedback inside the synth. This is all stuff that was more or less impossible to accomplish on the Super 6 and is much more in line with what I actually want from an analog(ish) poly synth.
Made me bust out the Lyra first the 1st time on months.
Spent some time making low end drones like on your recording.
One thing is that the Lyra can go places no other instrument can due the the inherent instability of its design.
One millimetre of the delay knobs or switch in either direction can make it go places youd never expect. (for me thats awesome, for others its utter garbage)
Just sharing my little experimenting with the Lyra after you said the drones you did where inspired by it.
Ive practived on it alot, but listening to tLyra tracks no one could actually notice someone who has vs total random knob twisting. Not even me......


I can "sort of" guide it in a direction I want after lots of time on it.
edit: @JES
I could maybe make a few low end drones in the near future so you could hear what it does doing that particular task if you’re at all interested.
Because Lyra playing is only valid if your a chick on tik tok in yoga pants or a synthflatulencer on YT
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