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Are you aware of the similar mnemonic/trick for identifying flat keys? I only ask because I learned both shortcuts at the same time; in my nascent music education, they came as a package deal:
The second-to-last flat sign in the key signature is the root name of the (major) key.
E.g., if you see four flats in the key signature -- Bb, Eb, Ab, and Db -- it's the key of Ab, since Ab is sequentially (left to right) the second-to-last flat sign in the key signature.
re sharps and flats: those solutions are good for major scales, nor minor. right?
i’m pretty good with theory. the way i out it was my way of pointing out that the “simple mnemonics” aren’t so simple.Clockwise the sharps for minors would be raising the 2nd instead of the 7th for a major.
A minor to E minor adds a sharp raising the F to an F#. E to B raises the C. It gets a little less clear after that because after B you hit F# minor which explains the need to raise the G to G# to keep a whole step.
i’m pretty good with theory. the way i out it was my way of pointing out that the “simple mnemonics” aren’t so simple.
I run the gauntlet of the circle quite often.i figured you knew your way around the circle.
i'll recalibrate my sarcasm module.
I run the gauntlet of the circle quite often.
There are many ways to approach it.
imo the simpler the better
Because you can easily over complex simple things quite easily with music theory/harmony
It’s the same 12 notes regardless of who you look at it.
They juste have different “roles” or “colors” depending on the key/harmonisation on context
Just speaking of my reverb thing, I went down the rabbit hole of lots of YouTube videos (almost reverb fatigue hah) and realised the one pedal I missed having was my old walrus audio slo.
Went to a few sites and didn’t realise they have the fundamental mini series with sliders for a bit cheaper now and as well as just “fundamental reverb” they have “fundamental ambient reverb”. Looks like a serious contender if I can’t find a decently priced used slo on the market here. Pretty much the same modes but “rise” mode is replaced with a “lo fi” sample reduction reverb and the fundamental has less control over the modulation.
Wrong thread??i wonder if it’s a function of how thick the finish is.
i like a thinner finish as i feel it allows the wood to breathe a bit more (sounds better).
thinner finish might be easier to crack?
just spitballing here.
As said, not doable as of today. You can transpose by octave, change the frequency reference of the A4 or transpose up or down to half a tone. No true +12/-12 semitone transposition.To all the Microfreak users, is there a transpose function in this synth?
Kind of weird such a feature rich synth has a blatant lack of simple transposition.As said, not doable as of today. You can transpose by octave, change the frequency reference of the A4 or transpose up or down to half a tone. No true +12/-12 semitone transposition.