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Ambient/Post-Rock/Textural bass playing thread

i have friend who likes his solo on that.

ever hear the disc of outtakes of trane not making it through all the time? gives us mere mortals hope.
Yep, I have the extended version of that album
Imagine getting handed those charts on a session and sight reading that stuff, absolute insanity.

I read somewhere that the band thought Giant Steps as a ballad when they first saw the chart.
 
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Currently down a rabbit hole of string selection. I'm working with a Spector Euro and my F Bass collection. I can't quite find the right combo of features I think I want, but I'm enjoying the journey. Black Tapes from La Bella are next on my list for my fretless.
 
Currently down a rabbit hole of string selection. I'm working with a Spector Euro and my F Bass collection. I can't quite find the right combo of features I think I want, but I'm enjoying the journey. Black Tapes from La Bella are next on my list for my fretless.
I want to tune one of my Pbass BEAD with heavy flats
Cuz reasons

;)
 
Apologies for the cross-post, but I know some of youze guyze only ever read TB for this Ambient Post-Rock chatter, but I trust your opinions so wanted to see if any of y'alls had input on the topic of wall-mounted instrument hanger systems?

I just posted this question over in the Accessories subforum.

thx
 
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Apologies for the cross-post, but I know some of youze guyze only ever read TB for this Ambient Post-Rock chatter, but I trust your opinions so wanted to see if any of y'alls had input on the topic of wall-mounted instrument hanger systems?

I just posted this question over in the Accessories subforum.

thx
sorry i hate wall hangers
im “sorta careful” with my instruments but i end up beating them up regardless
imagine if i had wall mounts, i would have lost a few instruments due to them falling to the ground for sure

sorry im of no help
 
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Somewhere years ago I was watching some documentary about music, maybe it was one of the Ken Burns things or something. I remember the narrator explaining how the invention of electric amplification was a huge leap for dynamics. Previously, everyone had to play or sing loud in order to be heard in "the mix", but now with electric amplification a jazz singer could whisper into the microphone and the listener could plainly hear her.

I have some old 78 rpm records and a Victrola, and the earliest ones were recorded by having the whole band in the room playing and singing aggressively into a horn which printed the sound onto the master disk directly with no amplification, and the lack of subtlety this requires is part of what makes the music sound so dated.
1910s Recording Studio 01.jpg
 
Helix presets are so expensive people selling them should be ashamed.

Yeah I said it, and I stand behind my statement

Ah. I assumed this was more like a Zoia patch sharing community. I didn’t realize there was a full market for presets, or what they cost. I just googled this and can understand the “expensive” position. I think if someone is sound designing a preset then they could reasonably expect to be compensated for the effort. The question is - how much is reasonable to charge?
 
Ah. I assumed this was more like a Zoia patch sharing community. I didn’t realize there was a full market for presets, or what they cost. I just googled this and can understand the “expensive” position. I think if someone is sound designing a preset then they could reasonably expect to be compensated for the effort. The question is - how much is reasonable to charge?
Im cheap and I share knowledge
I’d be the worst business owner ever
 
Dang. These presets are a good argument for getting a Line 6.

Those are pretty cool bass presets, and comparable price-wise to some of the other popular preset packs (like those sold by Janek Gwizdala or Ian Martin Allison for example). The Stomp is a powerful device, and capable of lots of unique textural stuff like this- in fact that's 99% of what I use mine for. I still prefer external analog pedals for my basic tone, though I love the fact that I could use nothing but the Stomp in a pinch (it would take me some time to tweak new presets for that though!!). He lists the basics of the building blocks he used for these in the video, so if you are patient and decent at sound design you could recreate something similar (or better) if you invested a little time (though at this pricepoint I'd be inclined to just buy them if I were looking for those sounds- seeing the way other people approach preset building can be a valuable learning tool for a Stomp!). I haven't personally bought presets for my Stomp, but am not opposed to the idea- especially considering most of the guys selling them are trying to make a living from music in some form, and I respect the hustle that requires these days. There are some free Stomp presets to be found out there, but AFAIK there aren't a lot of freebies from pros!
 
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Tons of Superbooth related announcements.

The new Moog though... from the feature set it reminds me of the 9 year old Minibrute 2S... except that one cost about half as much (new) and has 48 patch points instead of 6. I seem to recall I got my used one for $250.

That Korg Phase 8 that they've showed the last couple of years seemed like it had potential, but I'm starting to feel like it's basically a kalimba with a sequencer. I was hoping for drones, resonator stuff, electromagnetic manipulation of harmonics, etc.

As far as the pre-show new stuff, I grabbed a Make Noise Jumbler, and it's great. That is probably going to be the only new thing for me out of this cycle though. I just saw photos of the Polimaths and I'm curious what they're doing with it, but I expect it's something I don't need.
 
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It's Bandcamp Friday, and I have a new release too.




This one is dedicated to JES and to Paul Schreiber (aka paults), who I don't think knew each other but passed in the same week and are both missed.

Odd-numbered tracks use bass as the sole sound source, but with lots of layers and heavy processing. (This was usually Miezo, though in one case it was my bass ukulele.)

Even-numbered tracks:
- begin with DecadeBridge Sn, a tiny FM drone synth
- have Synthesis Technology modules (in VCV Rack form) somewhere in the middle
- also have other stuff in the middle (Eurorack, semi-modulars, software synth)
- end with Arturia Buchla Easel V

All my proceeds will be donated to the ACLU.

Notes are here.


intrestesting sounds, could add something to droning earth vol82?