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Ambient/Post-Rock/Textural bass playing thread

i made one about 25-30 years ago. it's in pieces right now. should probably put it back together.

I've had my eyes on one particular unfinished bass at my friend's shop for a while now. Don't remember offhand if it already has frets installed, but lap steel is one application where marker lines on the top would definitely be my preference. Dang, just what I need, another rabbit hole!
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I've had my eyes on one particular unfinished bass at my friend's shop for a while now. Don't remember offhand if it already has frets installed, but lap steel is one application where marker lines on the top would definitely be my preference. Dang, just what I need, another rabbit hole! View attachment 3714535

Remember the immortal words of Sgt. Schultz
 
I've had my eyes on one particular unfinished bass at my friend's shop for a while now. Don't remember offhand if it already has frets installed, but lap steel is one application

really, it doesn't even need to be a real bass. get some wood. carve it up.

mine in its current state.

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the following is not really "Ambient/Post-Rock/Textural," more like "Post-Jazz/Improv" . . . nonetheless, i offer it to you, as i think we did okay.

one live set of improvs (not one continuous "tune").


Sick!!!.....(I'm only 12 mins in.....gonna listen to the rest after work.....)

Very nice complicity and cohesiveness. I like the switches from fretted to fretless, boy you do that fast.....

;)

(Tips hat to Mr steubig)
 
One thing I noticed trying an Ebow is that a bass string is much harder "to start" than a small guitar string. That or maybe I suck.....probably both.....

Maybe you could tweak one for bass.
I use a 1/4" 6 inch long ratchet extension with my ebow on the 6 string, gives me ton of glissy goodness.
I also find that pressing on the fret a bit harder can sometimes give it that start it needs. I often fade in the notes, so I can hit it pretty hard.
 
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ambient? something else? (through-composed)



My favorite Morton Feldman story: ~25 years ago I'm driving home from a rehearsal. The house we rehearsed in was 5 minutes away from where I lived. But I switched on the radio, the local NPR station, and I hear these gorgeously lush, glacially slow moving, soft plangent bowed long tones...If each chord change [sic] was a whole note, the tempo must've been measured in beats-per-hour. I think there might have been a total of six or seven pitch changes in the time it took me to drive home.
So of course I'm captivated. So I park out in front of my apartment and stay in the car with the engine running, listening to this lovely music. I figure I'll hang out until the piece ends so I can find out who the composer is.




I was out there for almost two hours!!!!

Turned out to be Morton Feldman's String Quartet II.
effin' awesome.