• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Ambient/Post-Rock/Textural bass playing thread

+1 on The Expanse!

But yeah that first Trek movie gave me a sense of awe and wonder that most sci fi movies don't. The V'ger flyover scene was amazing and kind of terrifying for me when I saw it in the theater as a kid. And the sound that was associated with V'ger was an awesome instrument called a "blaster beam" that scared me to death because the sound was so loud. It's that deep twangy sounding thing in this.



Just watched this the other day! I wasn't too impressed by it as a kid - I was more into Star Wars at that point (born 1970 so just the right age?) but grew to love Star Trek later - Wrath of Khan and The Voyage Home (IV) are probably my favorites - I love Next Generation too, just not that into DS9 or Voyager, kind of enjoyed Enterprise, and did like the first Abrams film - there was a comic book tie-in where Picard and Data were helping Spock as lead up to what happened in the film. But that's not why I'm writing...

Thanks for the information on the "blaster beam" - I immediately thought of "The Beam" that was used first in the Apocalypse Now soundtrack by Mickey Hart of the Grateful Dead - he still uses it today during the Drums segment - I've heard it, it's loud! It can be ambient or intense. Here's an article about it:

All About the Beam Baby!

I actually have a little bit of footage from one time I saw it - it doesn't capture the majesty and deep bass but I'll leave it here for posterity:



He would also wear a "Drone Not Drones" t-shirt around that time:

51014965400_455016cc12_o.jpg


And while searching for that pic, found this article on drones that seems appropriate for this space:

A Brief History of Drone

OK I'm done!
 
  • Like
Reactions: Spectrum
I just found out about this from Gino Robair's Facebook post. As I wrote there, "I met Malcolm Cecil back in 1987 when one of my first gigs as a recently-moved-to-NYC audio engineer was moderating a forum for a local AES chapter that he and Darcy Proper were panelists for. He was such an engaging and generous personality!"

btw, notice how I crammed three shameless name-droppings in one sentence? I am incorrigible!