Sorry.
It had to be done.
I swear, this song has been in my head in the last couple of years more than at any other time I can remember.
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Sorry.
It had to be done.
Awright, finally putting something out after way too long. This one's the 6 string tuned EADGCF into the board. C4 Synth-MD 500-Nemesis Delay- Meris Polymoon- Eventide H9-Meris Mercury 7.
I've been working on perfecting this particular sound now for quite a while. It's something that I always picture foggy gray hills and mountains like I do when I'm cross country skiing. You know, when there's some snow coming in on some but not all, and the grays are continuously shifting. If you don't know, it's quite inspiring to look at.
I'm really starting to understand how to take a basic synth sound from either the C4 or Enzo or a mellotron sound from the Mel 9, and just process the hell out of it till it sounds like a rich poly textural thing.
Awright, finally putting something out after way too long. This one's the 6 string tuned EADGCF into the board. C4 Synth-MD 500-Nemesis Delay- Meris Polymoon- Eventide H9-Meris Mercury 7.
I've been working on perfecting this particular sound now for quite a while. It's something that I always picture foggy gray hills and mountains like I do when I'm cross country skiing. You know, when there's some snow coming in on some but not all, and the grays are continuously shifting. If you don't know, it's quite inspiring to look at.
I'm really starting to understand how to take a basic synth sound from either the C4 or Enzo or a mellotron sound from the Mel 9, and just process the hell out of it till it sounds like a rich poly textural thing.
I've been working on perfecting this particular sound now for quite a while.
Thank you, sir!Just got to the hotel after the gig and that was a beautiful piece to unwind to. Really enjoyed this! Thanks for sharing it!
Thanks, I've been more or less playing it every night until I was happy with where it was. Which was apparently last night. I was shooting for 18 minutes, but damn, it's hard to do with this kind of stuff without starting to get too busy or notey. Originally came up with it on the Miezo but then decided I wanted the higher notes of the EADGCF Bordwell sixer. I went to that upper range as a contrast during the last part.That was fantastic!
Hope I don’t bore anyone with this story, but it’s a happy one. ...
Awright, finally putting something out after way too long. This one's the 6 string tuned EADGCF into the board. C4 Synth-MD 500-Nemesis Delay- Meris Polymoon- Eventide H9-Meris Mercury 7.
I've been working on perfecting this particular sound now for quite a while. It's something that I always picture foggy gray hills and mountains like I do when I'm cross country skiing. You know, when there's some snow coming in on some but not all, and the grays are continuously shifting. If you don't know, it's quite inspiring to look at.
I'm really starting to understand how to take a basic synth sound from either the C4 or Enzo or a mellotron sound from the Mel 9, and just process the hell out of it till it sounds like a rich poly textural thing.
Awright, finally putting something out after way too long. This one's the 6 string tuned EADGCF into the board. C4 Synth-MD 500-Nemesis Delay- Meris Polymoon- Eventide H9-Meris Mercury 7.
I've been working on perfecting this particular sound now for quite a while. It's something that I always picture foggy gray hills and mountains like I do when I'm cross country skiing. You know, when there's some snow coming in on some but not all, and the grays are continuously shifting. If you don't know, it's quite inspiring to look at.
I'm really starting to understand how to take a basic synth sound from either the C4 or Enzo or a mellotron sound from the Mel 9, and just process the hell out of it till it sounds like a rich poly textural thing.
Nothing says rock and roll quite like a good spreadsheetSpent some time tonight building a spreadsheet that converts BPM to milliseconds for delay settings. I set it up so I can do 4/4, triplets, as well as quarter and eighth notes for 5/4 and 7/4. It’s all part of my polyrhythm/polymeter exploration phase.
Nothing says rock and roll quite like a good spreadsheet![]()
Any recommended recordings by him?
i listened to a bit of the pino paladino tiny desk concert and the saxophonist was doing stuff straight out of hassell.
Stuff such as?
I’m a Hassel newb.