• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Ambient/Post-Rock/Textural bass playing thread

77D38B8B-50F1-48F3-9221-3C086282555A.jpeg
 
I’ve been considering this new ALM filter.
ALM - ALM030 MCFx2

I like the features. I’m just not sold on the sound. I can’t tell if it’s the demo sound source and/or post production but I didn’t hear sounds that got me fired up.


In theory, I could build something “similar” in my Zoia rack unit. However, I do like physical controls, and the Zoia only does two-in & two-out audio, so all routing would need to be internal.

The thing I liked about the video demo was the combo of multiple outputs being simultaneously routed to the Jumble Henge (23:16 time stamp). I do have a Henge, so…


the mco is a digital oscillator that you may not like the sound of.

the mcf x2 seems to have a lot of possibilities.
 
  • Like
Reactions: monsterthompson
any of you guys ever try the nordy big splits?
they’re in my cart atm.
:/

other cheaper option would be the dimarzio model j splits

i know apples and oranges

promise i’ll go back to making weird crap in a short while when things calm down on the bass side.

sorry. i don't know anything about them.
 
  • Like
Reactions: ugly_bassplayer
any of you guys ever try the nordy big splits?
they’re in my cart atm.
:/

other cheaper option would be the dimarzio model j splits

i know apples and oranges

promise i’ll go back to making weird crap in a short while when things calm down on the bass side.
I had the Ibanez EHB with Big Splits, though they are made for Ibanez and not the same as the off the shelf pickups (how much different, I don't know). I liked them a lot...very full range.
 
  • Like
Reactions: ugly_bassplayer
Sometimes the process just does not come together. I had a drone in VCV Rack that I thought I'd build from, started patching the Euro gear and building up more parts. Put together what I thought was a clever little polyrhythmic but symmetrical sequence, where I had Akemie's Castle running through Shapeshifter wavetables and it all sounded so neat. Came up with a patch where the Mimeophon was self-oscillating, controlled by MIDI pitch and pressure from the Launchpad X. Made Ears ping a comb filter which I also fed into Mimeophon, which also sounded neat.

Recorded a take, and immediately hated it. It was like a chocolate curry alfredo sauce, none of the parts fit together. And it was pretty boring to listen to, stumbling and falling over without going anywhere.

But this is what I like about working fast and loose... I can throw it away and call it 3 hours of practice and not worry about it being a big waste. Maybe some of the patch ideas will live again in a better recording.
 
Sometimes the process just does not come together. I had a drone in VCV Rack that I thought I'd build from, started patching the Euro gear and building up more parts. Put together what I thought was a clever little polyrhythmic but symmetrical sequence, where I had Akemie's Castle running through Shapeshifter wavetables and it all sounded so neat. Came up with a patch where the Mimeophon was self-oscillating, controlled by MIDI pitch and pressure from the Launchpad X. Made Ears ping a comb filter which I also fed into Mimeophon, which also sounded neat.

Recorded a take, and immediately hated it. It was like a chocolate curry alfredo sauce, none of the parts fit together. And it was pretty boring to listen to, stumbling and falling over without going anywhere.

But this is what I like about working fast and loose... I can throw it away and call it 3 hours of practice and not worry about it being a big waste. Maybe some of the patch ideas will live again in a better recording.

For the past year or two I have been struggling to use bass and effects to produce "electronic" music, partly because bass is my main instrument, and partly because I like the challenge of figuring it out. I have been through the routine you describe over and over. But once in a while, I manage to pull something together that I'm not embarrassed to show.
 
Recorded a take, and immediately hated it. It was like a chocolate curry alfredo sauce, none of the parts fit together. And it was pretty boring to listen to, stumbling and falling over without going anywhere.

I love the metaphor. The nice thing is if one plays regularly, there is a lot of space to make things that suck. Crap is the price of culture, or something.
 
My partner, texting a friend checking in on our Covid situation:

"J has a new synthesizer array at home — lots of bloops and bleeps are happening in the back of the house." (We actually live in an apartment but are from the midwest so home is a "house.")

EDIT: just listened to the new track and really like it! Not nonsense at all. You have "a sound" and "a vibe."
 
Last edited:
My partner, texting a friend checking in on our Covid situation:

"J has a new synthesizer array at home — lots of bloops and bleeps are happening in the back of the house."

Y' know how I knew my wife was The One For Me when I first met her 30-something years ago? I played her a tape of my band, and she said "This sounds like a bunch of 7-year-olds banging on pots and pans."

To which I said "I know! Cool, right?"

...and she didn't leave me then and there.
 
Why such a dislike for Lex (the interviewer)?
Please inquire.

It felt like he just woke up from an Ambien nap and someone told him he had an interview with a mystery guest in five minutes. Rick seemed to be tolerating the questions, but not really interested in them.

It’s a brief clip, so maybe there were better moments outside of that.