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It's irrelevant anyway. Some people like Ampeg, some people like Mesa. Whatever.And you are a ________ ____________!
We really don't need to compare the CRAP from ampeg
to the products of Mesa Boogie
do we?
Right, because you never ever saw Ampeg amps in use before 1996.Ya don't have to believe it, I know the reps made it what it is
Based on many of the recommendations in this thread (e.g. Genz Benz), it seems not many people agree with you.Stay away from American named Asian made crappie. Many big names are in this category.
Based on many of the recommendations in this thread (e.g. Genz Benz), it seems not many people agree with you.
And if they sourced all American parts and made them 100% here, then the same people complaining about overseas manufacture would be complaining about prices.It would be very difficult to not be Asian made to some extent these days.
1969. But Ampeg existed for 20 years before that, too, and all during the 50's, their amps were mainstays on the New York jazz scene.Ampeg was around in the 1970s, for sure. By the early 1970s, if you were a bass player, you had the choice of an Acoustic Control stack or an Ampeg stack. I'm not sure when the first 'fridge came out. JimmyM probably does.
Here is the thing, on forums if you will mostly see stories about people who had problems with an amp or brand. The more popular a brand is the more stories you will hear because they sell more. Every amp maker will have problems. Ampeg still makes great products it's just that you purchased a used amp (never do that) and it was an older PF-500 which the seller I'm sure knew were all having problems.
I'm sure you have your reasons, but forget the solid state amp and pull the SVT out of the house. If it's not working it would cost less to fix it than purchase a solid state. I have a USA SLM SVT-CL and a Loud Vietnam SVT-VR and they are built like tanks.
ampeg endorser of course you're not gonna say any thing negative.
of course there was ampeg before '86, but "IMO"haha SLM reps saved ampeg's a$$
Thanks @Slipbass81. I might take the SVT out for a couple of gigs. My sister and I grew up as roadies for his band. When he died, I got his SVT she got his Jazz bass. We both grew up to play bass in different bands and the Jazz was stolen while her band was packing up after a gig about 5 years ago. Since then I've been cautious to bring it out since it was a good memory hauling it around as a kid (felt pretty strong the first time I did it). My kids (11 & 9) now help me, so I might have them lug it in with me to a few gigs. Then have a couple of cokes afterwards like I used to with my old man.
Anyway, excuse me for the nostalgic moment. You all have given me a lot to think about. Based on your advice I think I'm going to spend some time thinking about this and might save some more money up to increase my options. Also, based on several suggestions, I think I'm going to try and buy new based on valid points about warranties. I live in central michigan, we have a guitar center and some smaller local shops, but the bass amp inventory is slim. Any suggestions for somewhere in the Chicago or Michigan areas with a good selection of the options that you all have proposed.
Thank you all very much. It sounds like we all have brands that we like and others we could do without. Looking forward to the search for my new, main gigging amp.
Just got my Streamliner 900 back from AgedHorse about half an hour ago. Totally responsive, great communication. Can't wait to get it home and try it out again. This is my all-time favorite amp - and I'm pretty confident it's gonna be back to 100%.
Uhm, whatever, it really is all self explanatoryIf you are going to keep making these baseless opinions can you at least include facts/stats that prove your point. The only thing Jimmy said negative about Mesa is a true fact.
Yep, it sure is, pal. It sure is.Uhm, whatever, it really is all self explanatory
Yes, and check what the amps were that were used on the Rolling Stones tour that yielded the classic Get Yer Ya Ya's Out album.1969. But Ampeg existed for 20 years before that, too, and all during the 50's, their amps were mainstays on the New York jazz scene.
Great point Gaolee. Bass players in my area used either one of those two brands back in the early 70s. I actually went with the Ampeg over the Acoustic but it was pretty much an even split among the local club bassists.Ampeg was around in the 1970s, for sure. By the early 1970s, if you were a bass player, you had the choice of an Acoustic Control stack or an Ampeg stack. I'm not sure when the first 'fridge came out. JimmyM probably does. I know when the first Acoustic 360 came out, because that's what I play through. As far as customer service is concerned, there isn't any for Acoustic Control, since they have been dead and gone since the early 1980s. The old amps are like Peavey amps, though. If you get one that's in decent shape, any competent tech can fix it, and it will be pretty close to bomb proof anyway. Those things weigh about the same as a medium sized semi-truck, but there's always a downside to everything.