If you're on a hollow boomy stage a stand could help focus the bass instead of vibrating the entire floor and sounding muddy, every stage is different. Like the others suggested, walk around with your bass and hear how the sound is projecting.
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Really? lol
Are you guys in working bands?
Before I started using in-ears, I used a workbench from Home Depot to get my cab near my ears.
![]()
http://www.homedepot.com/p/t/202021...toreId=10051&N=5yc1v&R=202021304#.UWIix5OVOZw
It's proven to be quite useful even outside of gigs.
If you're on a hollow boomy stage a stand could help focus the bass instead of vibrating the entire floor and sounding muddy, every stage is different. Like the others suggested, walk around with your bass and hear how the sound is projecting.
And with good reason, too. A lot of bassists have zero clue about how loud they are. Sure, all instruments do it sometimes, but bass players especially due to its function in most bands and the fact that a lot of bass players point their cabs at their knee-ears, which turn out to be non-functional.It was a joke my friend haha. I just want to make sure he's being heard because some guitar players keep their bassists real quiet.
And with good reason, too. A lot of bassists have zero clue about how loud they are. Sure, all instruments do it sometimes, but bass players especially due to its function in most bands and the fact that a lot of bass players point their cabs at their knee-ears, which turn out to be non-functional.
Before I started using in-ears, I used a workbench from Home Depot to get my cab near my ears.
![]()
http://www.homedepot.com/p/t/202021...toreId=10051&N=5yc1v&R=202021304#.UWIix5OVOZw
It's proven to be quite useful even outside of gigs.

Wow. This looks tremendous! Thanks for the post.![]()

OH YEAH, that stand is very well made, will hold alot more weight than my 112 easily, just wished it was abit shorter. Now wife wants to use it as her plants/craft table in backyard....awe what the hell, may as well.I went and bought one of these same stands at Lowes' after reading about it here. I've never used it for gigs yet mainly cause the stand is as big or bigger than my small cabs, takes too much room on stage and sits my cab way too high for my tastes. Mine's in my garage leaning against the wall since day one.
But not totally the fault of this stand. I planned to use it in blues band I was in last couple years. Guitardist just bought a whole QSC powered PA and kept telling me to just bring my NeoX 112T cab only to next gig. Next gig never came. That band stalled out and he went onto a busier band. I don't really blame him, that's why I'm onto other projects this year myself. But woulda been cool just to use a single 12 cab way up by my ears on that stand thru that awesome PA.![]()
Two new bands this year for me, little or no PA for bass. So I'm still hauling 2x210's, a 212 or 410 cab to gigs. No biggee, slow giggin season with those new, bigger bands so far. Been using my BG250 combo for mostly all my gigs so far this year smaller bands.
Oh well; Onward and Upward.OH YEAH, that stand is very well made, will hold alot more weight than my 112 easily, just wished it was abit shorter. Now wife wants to use it as her plants/craft table in backyard....awe what the hell, may as well.
Same here in the trio. Bass is a huge part of the overall sound. In the big band it doesn't matter quite as much.Using a stand on a bass cab just takes to much of the low end out of the mix IMO. The guitarist and drummer in my trio like to feel the bass.
Again, no you didn't. You just boosted the mids and highs but the low end is still there.Same here in the trio. Bass is a huge part of the overall sound. In the big band it doesn't matter quite as much.
I keep an EV 115 on the guitarists side - he likes to put his amp on it too. Being in between cabs the drummer gets the full effect and loves it.
The few times I have tried stands I have missed the low end.
No, I really did. If I can't hear it, it isn't there.Again, no you didn't. You just boosted the mids and highs but the low end is still there.
Yes, I knew a guitarist who believed that...meanwhile he was drilling everyone in the audience with extremely piercing treble because he believed it.No, I really did. If I can't hear it, it isn't there.
Before I started using in-ears, I used a workbench from Home Depot to get my cab near my ears.
![]()
http://www.homedepot.com/p/t/202021...toreId=10051&N=5yc1v&R=202021304#.UWIix5OVOZw
It's proven to be quite useful even outside of gigs.
Again, no you didn't. You just boosted the mids and highs but the low end is still there.
Well I don't do stands, but I do tilt-backs with my smaller rigs, and when I've gotten off the stage to listen, they sound 100% identical when flipped up so the baffle touches the stage floor as they do when tilted back. And our guitarist does stands, and his rigs sound identical from the dance floor when he's got them flat on the stage floor or in a stand. So I tested Bill's knowledge with that one, and I found out he's right. I can only go by what my ears tell me since I'm not an audio scientist, and my ears told me Bill was accurate. I'd be interested in any relevant testing you've done as well to provide counterpoint.Yeah, I didn't believe it when Bill said it, and I still don't - I can both hear and feel the difference in low end when using a stand, and don't like it...
In another thread, effects like "acoustic coupling" and "boundary effect" were discussed - and I believe it applies when talking about putting cabs on stands...
http://www.talkbass.com/forum/f15/why-does-putting-cab-floor-make-sound-so-huge-974246/