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Of the three of those, the PF115LF starts rolling off first, then the PF210HE, then the PF115HE.IMO, you're good to go!
I have a PF800 with a PF210HE and a PF115HE cab.
Personally, with one cab, I would pick a 115 cab (because they go a little bit more low), especially with Pink Floyd music.
With two cabs, IME, any Portaflex combination of the PF115HE, PF115LF and the PF210HE will do fine, matched or mixed.
YMMV.
I find it interesting that the ported 15 would start rolling off first, and the sealed 210 would have better lows than the LE.Of the three of those, the PF115LF starts rolling off first, then the PF210HE, then the PF115HE.
I think the 115HE is also ported.I find it interesting that the ported 15 would start rolling off first, and the sealed 210 would have better lows than the LE.
From what I can see only the LF has the port on the back of the cab. And only the manual for the LF series claims to be "rear shelf ported".I think the 115HE is also ported.
Now that I'm looking at the manuals I see that the LF's aren't rated as low as the HE's. So, there ya go.I find it interesting that the ported 15 would start rolling off first, and the sealed 210 would have better lows than the LE.
Don't know if the manual specs tell the true story. I tried both the 210HE and 115HE and went with the 210 because it sounded tighter in the lows due to the rolloff. I would expect the LF to have more low end.Now that I'm looking at the manuals I see that the LF's aren't rated as low as the HE's. So, there ya go.
So maybe a pair of 210HE's would be the ticket. I've favored 10's for a long time.
Common sense would dictate that.Don't know if the manual specs tell the true story. I tried both the 210HE and 115HE and went with the 210 because it sounded tighter in the lows due to the rolloff. I would expect the LF to have more low end.
I wouldn't do it myself but here's no harm in trying it out, IMO.Common sense would dictate that.
I doubt combining the 210 with a 410 would be wise?
Usable low frequency points (-10db):Now that I'm looking at the manuals I see that the LF's aren't rated as low as the HE's. So, there ya go.
So maybe a pair of 210HE's would be the ticket. I've favored 10's for a long time.
There is HUGE harm in connecting a PF410HLF and a PF210HE to a PF800. Huge, amp-killing, warranty voiding harm.I wouldn't do it myself but here's no harm in trying it out, IMO.
That's right, the PF210HE would be holding the 410 back, volumewise.There is HUGE harm in connecting a PF410HLF and a PF210HE to a PF800. Huge, amp-killing, warranty voiding harm.
There is HUGE harm in connecting a PF410HLF and a PF210HE to a PF800. Huge, amp-killing, warranty voiding harm.
Just a thought.That's right, the PF210HE would be holding the 410 back, volumewise.
The endresult would be that either you blow up the speakers in the PF210HE, or your volume is lower than a 410 on its own would be.
Anyway, volume wise, a single 410 would be more than enough volume for all situations.
And so would two PF210HE cabs be.
IMO, YMMV.
I was more talking about bringing the PF800 down to 2.67Ω, but your thought is actually a good point too.That's right, the PF210HE would be holding the 410 back, volumewise.
The endresult would be that either you blow up the speakers in the PF210HE, or your volume is lower than a 410 on its own would be.
Anyway, volume wise, a single 410 would be more than enough volume for all situations.
And so would two PF210HE cabs be.
IMO, YMMV.
Maybe you miss understood. I was speaking of one 210 and one 410, each 8 ohms.I was more talking about bringing the PF800 down to 2.67Ω, but your thought is actually a good point too.
For a single cab use with Pink Floyd music, I would pick the PF115HE or the PF115LF.Just a thought.
The vast majority of my use here will be with a single portaflex cabinet with the PF800. Not sure if it should be a 115 or 210.