If my PF 50 T isn't loud enough for a gig , I need to find a new gig .
If your gig is Candlestick Park, circa August 1966, then I agree you'll either have to find a new gig or head to the studio for the next few years!
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If my PF 50 T isn't loud enough for a gig , I need to find a new gig .
Hey all. Fascinated by this discussion. I was under the impression that you usually need roughly four times the wattage of your guitarists amp ( he has a 50 watt Mesa ) to give enough headroom to produce a clear low end signal. Currently I am using a Peavey Max 115 which gives 200 watts into the internal speaker. Now I am even more keen to try the RB-115 to see what it can do in comparison. Cheers
I'd add here that more experienced players tend to be less apt toward maxing out their volume potential (I'm talking about the guitarist with the Marshall half stack). This makes this rule somewhat moot if the goal is a listenable mix and the bandmates sane.Hey Brent. Yeah, the 4x-more-amp-rule is a safe one if you're new at the game, but as you're finding out, cagey veteran players can coax all kinds of great sounds with what's at their disposal. Wattage is far from the only requirement you should use in determining what you end up with. That 100-watt 115 combo could probably get you through all of your small-medium gigs, and if you add a second 115 extension cabinet plus DI out to the PA, you could probably handle even more than that. Your playing style, the music you play, how loud the rest of the band is, the venue itself, are some of the many factors you have to pay attention to.
I'd add here that more experienced players tend to be less apt toward maxing out their volume potential (I'm talking about the guitarist with the Marshall half stack). This makes this rule somewhat moot if the goal is a listenable mix and the bandmates sane.
Thanks for the great input. It is brilliant to be able to tap into everyones collective knowledge from the other side of the world. Thanks again.

Hi 68-Tele Bass. Thanks for your reply & also everyone else for their input. Our trio plays a wide variety of material but predominantly 50's, 60's & 70's. Drums, bass & guitar, we all sing. I have a Peavey Max 115 & have a veteran ( like me ) Hohner
" The Jack " headless bass which is active. Lately I have been using a P bass copy that a friend made for me. It is an awesome beast. He even wired his own pickups ( it is active & has two sets of standard style Precision pickups ). I do not use any pedals or effects & am very keen on everything being highly portable these days. Maybe we should trade our vintage JBL three way PA cabs for a nice light BOSE system. That would be nice. Might need more gigs to pay for it though ! Take care all.




There's a saying that applies and it's based on a paper some audio physics expert wrote whose name I can't remember...small, loud, low...pick any two.Here's a little something that should help everyone out......
How to make your live bass sound better than ever
Hide this from other members of your band.
Volume or low-end - take your pick
"In a perfect bass world, you could play as loud as you want with tons of low end, and it would be great. I’m sorry to say, this is rarely if ever the case. Boosting volume and low end can overdrive your preamp, strain your power amp, tax your speakers, and sound like crap.
Have you ever wondered if you could blow a 600-watt-rated cab with a 200-watt amp? Sure you can - crank the volume with lots of lows and mids, and kiss your cab goodbye. Boosting EQ adds gain. Take that into account when adjusting your sound."
Here's a little something that should help everyone out......
How to make your live bass sound better than ever
Hide this from other members of your band.
Volume or low-end - take your pick
"In a perfect bass world, you could play as loud as you want with tons of low end, and it would be great. I’m sorry to say, this is rarely if ever the case. Boosting volume and low end can overdrive your preamp, strain your power amp, tax your speakers, and sound like crap.
Have you ever wondered if you could blow a 600-watt-rated cab with a 200-watt amp? Sure you can - crank the volume with lots of lows and mids, and kiss your cab goodbye. Boosting EQ adds gain. Take that into account when adjusting your sound."
(Yes! Do NOT show this article to guitar player
I'm considering one of these. The 115 is interesting, but would it handle a low B string any better or worse than the 210?


Great Question!! I only have 4 string bass guitars. Getting a CV Squier VI around Xmas, but that will be E-E tuning.
Maybe some of our more adventurous/talented followers with a fiver can weigh in?? I’d imagine the 15” Eminence would handle the low B without issue.![]()
Interesting Tuning. Are you going E BELOW B ? There's a common bit of Americana which applies in MANY situations. "Size Matters". I'll toss this out onto the floor as food for thought.MANY players these days are "Victims of Marketing". How many Foot Pedals do you own? WHY do you own ANY? Because Manufacturers have had to scramble as the Covid Money dried up and Wood Supplies Dwindled....but they had to sell something....so they've successfully convinced Players that Foot Pedals are Necessary. The pedal cost the manufacturer $7 to make and they sell it for a Couple hundred bucks. Now THAT's a Sizable Profit.
Now...the answer to your 15" question.What size speaker has been in SVT Cabinets since the beginning of time? Why?
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Didn't SVTs come about before low B strings were really a thing?
