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Ampeg SVT 7 Pro Club

If this is sarcasm or an attempt to be witty, it's pretty much impossible to tell at this point, so I'll bite.

That switch is an input pad/attenuator that reduces the strength of the input signal by roughly 15 decibels (dB). It's commonly used to prevent signal clipping from basses with hot onboard preamps.

The dB acronym has nothing to do with Dolby Labs or any of their old "noise reduction" technologies. It is a measure of relative signal level.

http://en.wikipedia.org/wiki/Decibel

As I was reading through the thread and I was hoping someone would point this out. It's for matching the input for use with Active or Passive basses.
 
Ya, me too. PF series is good at it, too, but there does seem to be a little extra zing for me with the 7 Pro. Maybe it's headroom, but I also think the tube circuit helps. It's just one but it's a real working tube and not a glory tube.
 
I've been a big fan of multi-band compression (Trace Elliot SMX, TCE Spectracomp, etc...). I even have a Rane DC24 I can patch in if I want, but I was wondering what you guys thought of this optical compressor. I've never used optical before, but I'm game to try it. No sense adding to the signal chain if I don't have to. ;)
 
The compressor on the 7pro to me is AWESOME and at first i thought i was clipping cuz the light kept coming on but the more i fiddled with it the more i found it is just letting youknow it is working.. HAHA.. when I A&Bd it to the little marks it just seemed to have more of everything. head room ..flavor.. and warmth.. and with my EURO 4 I had it was flat out incredible I just was never in a band that i could use the euro so it just sat there..I CAN NOT WAIT to get my rebop back with the HZs and the TP..
 
The compressor on the 7pro to me is AWESOME and at first i thought i was clipping cuz the light kept coming on but the more i fiddled with it the more i found it is just letting youknow it is working.. HAHA.. when I A&Bd it to the little marks it just seemed to have more of everything. head room ..flavor.. and warmth.. and with my EURO 4 I had it was flat out incredible I just was never in a band that i could use the euro so it just sat there..I CAN NOT WAIT to get my rebop back with the HZs and the TP..

Cool! I'm hoping my USA's will slay! :bassist:
 
After last night, I think I need a number... Loved the tone of my 7Pro
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I used on the mid switch #2, boosted the mid up to about 2 o'clock, pushed in the bass boost switch and dialed in the mid highs on my Deluxe P. Big HUGE B string notes. Especially low D. Killed it. Even my LOB wanted me to hit that low B and usually he hates those notes. I thought that was a pretty big compliment as well.
 
I used on the mid switch #2, boosted the mid up to about 2 o'clock, pushed in the bass boost switch and dialed in the mid highs on my Deluxe P. Big HUGE B string notes. Especially low D. Killed it. Even my LOB wanted me to hit that low B and usually he hates those notes. I thought that was a pretty big compliment as well.

Right on man. A lot of folks around here say stay away from the Ultra Low button. I disagree though. You can use it in a mix, you just have to add mids. If you dont you pretty much get burriied, but I dont dig the wooly tone of Ampegs without the Ultra low button enganged.

I posted settings similar to that earlier in the thread. I love a big crushing low end myself.

Here is the settings i usually rock again: Try them out and see how you feel.
Note: I run these settings with a Heritage SVT410HLF. Its a ton of lowend. It cuts through really well though believe it or not.

Gain: 12-2 oclock
Compressor 9 oclock (I used this because since i run Octave pedals and distortion it smoothes things out for the cab)
Ultra Low engaged - Ultra High not engaged
Bass 3 oclock (dependign on the room sometimes less)
Mids 2-3 oclock
Mid Selector mostly position 3, (sometimes 2 if the room makes the cab honky)
Treble 12-1 ocloock. On this one i sometimes roll back the treble if the sound gets to sizzly..

With a low B this sounds awesome.. big thunderous lows. My guitar player generally plays a 7 string Stephen Carpenter sig through an all tube Peavy. Some serious metal crunch. And with my settings we dont fight over frequencys. I sit right below him with my 5er. Its pretty sweet. I also dont get in the way of the kick...

Glad you found a tone you like with the 7pro. Ampeg to me is very very good tone.. it does seem like each amp has a sweet spot though. I dont to dig all the tones from ampegs. I can always find a spot I love though.
 
Updated
Ampeg SVT 7 PRO Legion:

Founda: Verminaard

2 lokikallas

3 bassguppy

4 Scobby Bott

5 JMac4Strngr

6 rodl2005

7 tekdiver500ft

8 username1

9 Dr Funk

10 TricksteR

11 bassguy72

12 CharlieC

13 tombowlus

14 stinger2k

15 tomydacat

16 Slackerprince

17 johnnynitro

18 corsicangroove

19 StrangerDanger

20 Grateful

21 bass.player

22 fishinmuzician

23 jarrydee

24 Thundar

25 JoshuaTheBeard

26 Chuckster

27 steelbed45

28 Brian Scherzer

29 lushuk

30 MIMJAZZ

31 william curl

32 swsmusic

33 Silas Stingy

34 VeganThump

35 HLF

36 Dirty Dave

37 BlazingRiCO

38 Sethro

39 imthewine

40 HunterBurgan4Me

41 Fretlessbaby

42 kenbert

43 cbroussard

44 kennyrodg

45 lfbassguy

46 RustyTOOL

47 lowgun

48 Metalman X

49 JP Morin

50 Jheake

51 Deepwoods

52 iriegnome

Welcome to the Legion new recruit Doomtroopers!! :bassist:
 
I liked the ultra low when playing with a hip hop project. Really sat well in the mix. I never use it for rock and metal though.

"Ultra Low" is a bit misleading. Since the greatest amount of tonal alteration is a -10bd cut @ 500hz. The only boost is +2db @ 40hz and you've got a lot more than that available with the Bass control. So it's kinda more like a "contour" button that gives the illusion of boosting the lows.

True I haven't gotten my 7PRO yet, but I did play through a SVP-Pro for a year, so I'm already acquainted with most of these controls.