Astonishing. Luckiest man in rock. You can play nearly all of U2's boring bass lines on one string, with one finger.
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I don't think he is even that great of a bass player honestly. They are way more talented players that could benefit from a signature model yet he has like 5.
Takes many different basses to play all those 8th notes.
Followed by an import signature Casio watch with his face on it and hour/minute hands sprouting from his nose. Pride-In the Name of Love chimes at the top of the hour.
Everyone has to start somewhere. Unfortunately Adam Clayton never really evolved beyond a bass newbie.For Fender (and Gibson) it's more about marketing. Adam Clayton is known around the world and Fender knows they could sell a lot of basses if they slap his name on it. Same story with Flea and his J bass, despite mostly playing EBMM and Modulus.
To be fair, his songs make for good lessons when you're teaching bass newbies how to keep rhythm. I still use "With or Without You" as the first song my students learn, even though I cannot stand U2.
I agree for the most part, but the Geddy Lee Jazz bass is a very cool, and distinct instrument.I have never and will never buy a signature bass. People buy them thinking they are going to sound like the bass the artist uses. In reality, many artists make modification after they receive their basses from the manufacturer. For example, I remember reading an interview with Marcus Miller and he said that the first thing he did when he received his basses from Fender was to send them out and have the preamp changed. So people were buying the Marcus Miller signature bass and it wasn't even what he was using. This is typical of signature basses.
Most signature basses are just stock basses with an artist's name on the headstock. There may be some minor differences depending on the artist such as the bridge or pickups but the overall cost to produce them are relatively the same. Is it really more expensive for Fender to produce a stock MIA bass with an artist's name on it than it costs to produce one without the the artist's name? The answer is no. Yet people spend several hundred dollars more just because it has a name on it. I don't get it. In my opinion, it's just an excuse to artificially inflate the price of a stock bass.
Nice looking bass whatever the situation, IMHO
He really is the luckiest man in rock. Well, him and Ringo Starr.Astonishing. Luckiest man in rock. You can play nearly all of U2's boring bass lines on one string, with one finger.
Yeah, that Geddy Lee bass is sweet. I was so tempted to purchase one after playing it, but I only went to GC for strings. I got outta there with strings.I agree for the most part, but the Geddy Lee Jazz bass is a very cool, and distinct instrument.
I would not, and you guys would be calling me all kinds of <Names that are associated with giving away sex for free>.I’m surprised how many people on his forum would turn down their own signature model if given the opportunity.
Adam Clayton has been a gigging musician for 40 years. I see no basis for an inference that his contribution to U2 reflects the outer limits of his bass playing ability and musicianship.
You've made some really good points. I started playing guitar this year. Took lessons, learned 5 chords (CAGED) then learned more on my own. ALL of my favorite songs that I've learned to play use only 5 chords (CAGED and a few more maybe). Yesterday morning I learned I Won't Back Down by Tom Petty and last night before I went to bed I learned Heroes by David Bowie on guitar. My point is that, from what I can tell, the only musicians doing complicated syncopations and stuff are jazz musicians (not a lot of money in that), and YouTube slappy slap guru's (not much money in that). People understand simplicity, and simplicity is pleasing to the ear. U2, AC/DC, Kiss. There's a lot to be said about K.I.S.SInteresting thread.
Adam Clayton has been a gigging musician for 40 years. I see no basis for an inference that his contribution to U2 reflects the outer limits of his bass playing ability and musicianship. Is the idea that he sits at home off tour and dutifully practices his famous U2 bass lines? That he only listens to U2 albums?
Adam Clayton’s bass playing is an integral part of that band’s signature sound. What’s he supposed to do? He loves Jamerson. Maybe he should introduce syncopation and double chromatic approaches to really lock in with The Edge’s delay and the straight ahead uninspired drumming he’s anchored to. Yeah. The most Clayton can doing that context is to write hooky lines and serve the song.
The whole signature model trend is reaching absurdity, but I can easily see why Adam Clayton would be given instruments by various builders and be paid to endorse signature Fender models. Hadn’t noticed a steep up charge. Fenders pricing in that range is all over the place.