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How can you say that Sheehan floundered?So I truly believe if Ham or Shehan had composed an Eruption like Solo Piece they would be propeled into Ultra stardom, but instead both floundered in, they're good But it s been done territory.
How can you say that Sheehan floundered?That is rather perplexing, because the opposite is true. Even though he's known as a virtuoso, Sheehan has always been part of a band and never released solo albums to showcase his skills. Just check out his resume; this is a guy who played with multiple successful bands, sold records, had hit songs, and is recognised as a force to be reckoned with on his instrument. I'd say that Sheehan is actually a bassist who IS a star.
I know very little about him but several things I read pretty much inferred what you mentioned in the above. He sounds a lot like Tinsley Ellis in that respect.3) At a couple of those shows, he was an absolute jerk to his fans. Once at a meet n greet, he was very short, and seemed as though he would rather be ANYWHERE else. Another time, while the rest of the big shots on the G3 tour were outside signing autographs, he came outside and lit a cigarette and sat down on the stairs outside the venue. When people started yelling for him to come over he literally flipped them off. Yes, the middle finger. Sure, anybody can have a bad night (or two). But go to the bus or stay inside until everyone leaves. Don't go outside where fans are waiting and be a jerk. There's a chance he's that kind of guy to work with as well. And maybe the phone doesn't ring quite as much these days as a result. (All of that after my recouting of events I witnessed is pure speculation.) There's a chance he's not as visible these days because other bass players get the call for gigs he would otherwise be qualified for.
That could be the case. It's hard enough to stay at the forefront and consistently release material that sells as a guitarist. For every Steve Vai, who is still making jaws drop with his performance at the age of 60+, there are probably hundreds who have tried and have been forgotten.I've been playing for a long time, but only became aware of Stu in the early 2000's. Then I learned he has been active since the mid 80's.
There could be many reasons why we don't hear much of him. But I wonder if part of it is that, the idea of a bassist with his level of skill, who plays a lot of solo work (bass is the featured instrument), has become much more common?
If I think back to the 80's and even 90's, and attempt to build a list of similar players, it would pale in comparison to what we have today. There are SO many artists like Richard Bona, Felix Pastorius, Mike Bendy, Janek Gwizdala, Hadrien Feraud, .... the list goes on .... there are so many now that maybe someone like Stu has become obscure?
Think Jeff Pilson, Bob Daisley, Marco Mendoza, Rudy Sarzo. Those guys have been in the game for decades, they are in their 50s.
True, a lot of those guys love to slap and tap, but few of them will tackle the fingerstyle stuff that Sheehan plays. At least I have not seen them doing it.I would venture that Sheehan's NV43345 is the bass equivalent of Eruption.
Nothing like that had been heard or attempted prior to that. Or since, really.
I see millions of YouTube slappers, tappers, and they all blur together with similar tone, style, and note choice. But, hardly any tackle Sheehan. Even the big YouTube bassists steer clear of him (Charles Berthoud, Davie504, etc).
Regarding NV43345, Sheehan's precision, fluidity, and finesse are all in a world of their own, not to mention the insane innovation, technique, originality, and pure skill exhibited in that track.
It ripped my head off the first time I heard it.
Much like Eruption did years earlier.
Indeed! I quickly edited that part, because I realised that all of them are older than that. Even Pilson is almost 60.50s??????!!!?!!?
Daisley and Sarzo are well into their 70s!!!
Kinda sad to go to his site and see a video of him begging for money. Hoping he gets back on his feet soon.
Okay, never thought much of his stuff... recently went down that rabbit hole on you tube watching a Bunch of bass videos IMHO liked his train of thought..., but never took it to a "cool" factor just kinda regurgitated EVH & billy sheehan tapping thing! he needed song writing prowess! his solos were boring! 10mins of slappy tapping then onto piano like tapping, endless chording ( YAWN!! ). Edward propeled himself with a well constructed/composed Pieces/solos with Eruption & Spanish fly! That wowed, Blew Minds when you 1st heard them! Like what is that!?! HOW?!? it captured our attention! we all had to find out what technique he used! some disregarded it & speculated it just effects pedals. My BFF, at the time, said Its all just "special effects (phaser, delay & synth!). Boy were we surprised when it was revealed it was a Brand new technique!
So I truly believe if Ham or Shehan had composed an Eruption like Solo Piece they would be propeled into Ultra stardom, but instead both floundered in, they're good But it s been done territory. I had highhopes for Wooten but as far as I Know hes in that area too, Jaco at least had Donna Lee, and some others That solidify his legacy!
SAD. Great technitians, but poor or unimaginative writing! Much like the Many 80s shredders,that were impressive but could match EVHs popularitty!Not even Randy Rhoads whom IMO was the closest to him,but sadly he never wrote a bombastic solo piece be fore his tragic untimely death! just think if he had recorded an electric guitar Solo piece like Eruption or star spangled banner! His legacy wouldve catapulted over everyone at the time! possibly EVH!

50s??????!!!?!!?
Daisley and Sarzo are well into their 70s!!!
I would venture that Sheehan's NV43345 is the bass equivalent of Eruption.
Regarding NV43345, Sheehan's precision, fluidity, and finesse are all in a world of their own, not to mention the insane innovation, technique, originality, and pure skill exhibited in that track.
Exactly my feeling. NV43345 IS the Eruption of bass. It is one of the best bass solo's of all time. God-level composition and originality.